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Afterword – On the Outside Looking In: Perspective on the New Media Documentary in Canada

  • Dale Hudson and Patricia R. Zimmermann
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The Interactive Documentary in Canada
This chapter is in the book The Interactive Documentary in Canada
© 2024, McGill-Queen's University Press

© 2024, McGill-Queen's University Press

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Figures xi
  4. Acknowledgments xiii
  5. Introduction – The Interactive Documentary in Canada 1
  6. Part 1 Technology, Innovation, Experimentation: Histories and Case Studies of I-Doc Production and Exhibition in Canada
  7. 1 The National Film Board of Canada’s Digital Studio: An Oral History 25
  8. 2 Notes on Impact: The Case of the Interactive Documentary gdp 50
  9. 3 Fort McMoney: The Challenge of Maintaining Interactive Documentary 70
  10. 4 Viewfinders: Exploring Travelling and Landscapes via Augmented Reality 90
  11. 5 Always Already Old: Looking Back with the Korsakow System 105
  12. 6 I-Docs and Live Performance: Highrise: Universe Within at Hot Docs 125
  13. Part 2 Encounters with Others: Activism, Agency, and Ethics
  14. 7 Collaborative Encounters: I-Docs and Environmental Pedagogy in and beyond the Classroom 143
  15. 8 Thinking in Networks: The Interactive Documentary as a Tool for Social Change 161
  16. 9 Interactivity as Ethical Encounter in The Space We Hold 181
  17. 10 Fish Love: Digital Technology and Passivity in Nettie Wild’s Uninterrupted 198
  18. 11 Playing with Extreme Oil: Slow Catastrophe and the Melancholic Imaginary in Offshore and Fort McMoney 215
  19. Part 3 Image and Sound beyond “the Real”: Media Pasts, Presents, and Futures
  20. 12 Nostalgia, “Old” Media, and Welcome to Pine Point 237
  21. 13 Acoustic Profiling in Hogan’s Alley: Mapping Intersectional Soundways in the Lost Vancouver Neighbourhood of Stan Douglas’s ios app Circa 1948 251
  22. 14 A Journal of Insomnia: The Individualization of Sleep in a Wired World 269
  23. 15 Going Deep: Hybrid Capture in Documentary 284
  24. 16 Indigenous Futurism and the Immersive Worlding of Inherent Rights, Vision Rights, 2167, and Biidaaban: First Light 303
  25. Afterword – On the Outside Looking In: Perspective on the New Media Documentary in Canada 326
  26. Contributors 341
  27. Index 349
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