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Afterword – On the Outside Looking In: Perspective on the New Media Documentary in Canada
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Dale Hudson
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Chapters in this book
- Frontmatter i
- Contents vii
- Figures xi
- Acknowledgments xiii
- Introduction – The Interactive Documentary in Canada 1
-
Part 1 Technology, Innovation, Experimentation: Histories and Case Studies of I-Doc Production and Exhibition in Canada
- 1 The National Film Board of Canada’s Digital Studio: An Oral History 25
- 2 Notes on Impact: The Case of the Interactive Documentary gdp 50
- 3 Fort McMoney: The Challenge of Maintaining Interactive Documentary 70
- 4 Viewfinders: Exploring Travelling and Landscapes via Augmented Reality 90
- 5 Always Already Old: Looking Back with the Korsakow System 105
- 6 I-Docs and Live Performance: Highrise: Universe Within at Hot Docs 125
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Part 2 Encounters with Others: Activism, Agency, and Ethics
- 7 Collaborative Encounters: I-Docs and Environmental Pedagogy in and beyond the Classroom 143
- 8 Thinking in Networks: The Interactive Documentary as a Tool for Social Change 161
- 9 Interactivity as Ethical Encounter in The Space We Hold 181
- 10 Fish Love: Digital Technology and Passivity in Nettie Wild’s Uninterrupted 198
- 11 Playing with Extreme Oil: Slow Catastrophe and the Melancholic Imaginary in Offshore and Fort McMoney 215
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Part 3 Image and Sound beyond “the Real”: Media Pasts, Presents, and Futures
- 12 Nostalgia, “Old” Media, and Welcome to Pine Point 237
- 13 Acoustic Profiling in Hogan’s Alley: Mapping Intersectional Soundways in the Lost Vancouver Neighbourhood of Stan Douglas’s ios app Circa 1948 251
- 14 A Journal of Insomnia: The Individualization of Sleep in a Wired World 269
- 15 Going Deep: Hybrid Capture in Documentary 284
- 16 Indigenous Futurism and the Immersive Worlding of Inherent Rights, Vision Rights, 2167, and Biidaaban: First Light 303
- Afterword – On the Outside Looking In: Perspective on the New Media Documentary in Canada 326
- Contributors 341
- Index 349
Chapters in this book
- Frontmatter i
- Contents vii
- Figures xi
- Acknowledgments xiii
- Introduction – The Interactive Documentary in Canada 1
-
Part 1 Technology, Innovation, Experimentation: Histories and Case Studies of I-Doc Production and Exhibition in Canada
- 1 The National Film Board of Canada’s Digital Studio: An Oral History 25
- 2 Notes on Impact: The Case of the Interactive Documentary gdp 50
- 3 Fort McMoney: The Challenge of Maintaining Interactive Documentary 70
- 4 Viewfinders: Exploring Travelling and Landscapes via Augmented Reality 90
- 5 Always Already Old: Looking Back with the Korsakow System 105
- 6 I-Docs and Live Performance: Highrise: Universe Within at Hot Docs 125
-
Part 2 Encounters with Others: Activism, Agency, and Ethics
- 7 Collaborative Encounters: I-Docs and Environmental Pedagogy in and beyond the Classroom 143
- 8 Thinking in Networks: The Interactive Documentary as a Tool for Social Change 161
- 9 Interactivity as Ethical Encounter in The Space We Hold 181
- 10 Fish Love: Digital Technology and Passivity in Nettie Wild’s Uninterrupted 198
- 11 Playing with Extreme Oil: Slow Catastrophe and the Melancholic Imaginary in Offshore and Fort McMoney 215
-
Part 3 Image and Sound beyond “the Real”: Media Pasts, Presents, and Futures
- 12 Nostalgia, “Old” Media, and Welcome to Pine Point 237
- 13 Acoustic Profiling in Hogan’s Alley: Mapping Intersectional Soundways in the Lost Vancouver Neighbourhood of Stan Douglas’s ios app Circa 1948 251
- 14 A Journal of Insomnia: The Individualization of Sleep in a Wired World 269
- 15 Going Deep: Hybrid Capture in Documentary 284
- 16 Indigenous Futurism and the Immersive Worlding of Inherent Rights, Vision Rights, 2167, and Biidaaban: First Light 303
- Afterword – On the Outside Looking In: Perspective on the New Media Documentary in Canada 326
- Contributors 341
- Index 349