Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. Figures xi
4. Acknowledgments xiii
5. Introduction – The Interactive Documentary in Canada 1
6. Part 1 Technology, Innovation, Experimentation: Histories and Case Studies of I-Doc Production and Exhibition in Canada
7. 1 The National Film Board of Canada’s Digital Studio: An Oral History 25
8. 2 Notes on Impact: The Case of the Interactive Documentary gdp 50
9. 3 Fort McMoney: The Challenge of Maintaining Interactive Documentary 70
10. 4 Viewfinders: Exploring Travelling and Landscapes via Augmented Reality 90
11. 5 Always Already Old: Looking Back with the Korsakow System 105
12. 6 I-Docs and Live Performance: Highrise: Universe Within at Hot Docs 125
13. Part 2 Encounters with Others: Activism, Agency, and Ethics
14. 7 Collaborative Encounters: I-Docs and Environmental Pedagogy in and beyond the Classroom 143
15. 8 Thinking in Networks: The Interactive Documentary as a Tool for Social Change 161
16. 9 Interactivity as Ethical Encounter in The Space We Hold 181
17. 10 Fish Love: Digital Technology and Passivity in Nettie Wild’s Uninterrupted 198
18. 11 Playing with Extreme Oil: Slow Catastrophe and the Melancholic Imaginary in Offshore and Fort McMoney 215
19. Part 3 Image and Sound beyond “the Real”: Media Pasts, Presents, and Futures
20. 12 Nostalgia, “Old” Media, and Welcome to Pine Point 237
21. 13 Acoustic Profiling in Hogan’s Alley: Mapping Intersectional Soundways in the Lost Vancouver Neighbourhood of Stan Douglas’s ios app Circa 1948 251
22. 14 A Journal of Insomnia: The Individualization of Sleep in a Wired World 269
23. 15 Going Deep: Hybrid Capture in Documentary 284
24. 16 Indigenous Futurism and the Immersive Worlding of Inherent Rights, Vision Rights, 2167, and Biidaaban: First Light 303
25. Afterword – On the Outside Looking In: Perspective on the New Media Documentary in Canada 326
26. Contributors 341
27. Index 349