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Chapter 15. Exploration of the Rhapsodie corpus

Data structure, formats and query tools
  • Anne Lacheret-Dujour , Sylvain Kahane , Rachel Bawden , Serge Fleury and Ilaine Wang
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Rhapsodie
This chapter is in the book Rhapsodie

Abstract

This chapter describes the data structure of the Rhapsodie Treebank and discusses methodological issues stemming from the complexity of this structure, articulated around three independent, non-aligned, hierarchies: Microsyntactic, macrosyntactic and prosodic, and the challenging questions to be resolved in this context. It discusses the specific problems posed by the simultaneous processing of the phonological stream (prosodic level) and the orthographic stream (syntactic level), which are often far from being isomorphic in French, and the related problem of the processing of disfluent and/or overlapped strings, which have not the same representation in the syntactic and the prosodic hierarchy. Then, it presents the formats adopted to encode prosodic and syntactic annotations and query them simultaneously, given that the prosodic architecture is a non-recursive time-aligned representation while the syntactic one is a recursive tree-based representation.

Abstract

This chapter describes the data structure of the Rhapsodie Treebank and discusses methodological issues stemming from the complexity of this structure, articulated around three independent, non-aligned, hierarchies: Microsyntactic, macrosyntactic and prosodic, and the challenging questions to be resolved in this context. It discusses the specific problems posed by the simultaneous processing of the phonological stream (prosodic level) and the orthographic stream (syntactic level), which are often far from being isomorphic in French, and the related problem of the processing of disfluent and/or overlapped strings, which have not the same representation in the syntactic and the prosodic hierarchy. Then, it presents the formats adopted to encode prosodic and syntactic annotations and query them simultaneously, given that the prosodic architecture is a non-recursive time-aligned representation while the syntactic one is a recursive tree-based representation.

Chapters in this book

  1. Prelim pages i
  2. Table of contents v
  3. Acknowledgments ix
  4. Preface xi
  5. Introduction 1
  6. Chapter 1. Collecting data for the Rhapsodie treebank 7
  7. Chapter 2. Orthographic and phonetic transcriptions of Rhapsodie recording 21
  8. Chapter 3. Syntactic annotation of the Rhapsodie corpus 35
  9. Chapter 4. Microsyntactic annotation 49
  10. Chapter 5. The annotation of list structures 69
  11. Chapter 6. Macrosyntactic annotation 97
  12. Chapter 7. Annotation tools for syntax 127
  13. Chapter 8. Prosodic annotation of the Rhapsodie corpus 147
  14. Chapter 9. The annotation of syllabic prominences and disfluencies 157
  15. Chapter 10. Segmentation into intonational periods 175
  16. Chapter 11. Derivation of the prosodic structure 213
  17. Chapter 12. From pitch stylization to automatic tonal annotation of speech corpora 233
  18. Chapter 13. Tonal annotation 251
  19. Chapter 14. Tools for fundamental frequency estimation in Rhapsodie 261
  20. Chapter 15. Exploration of the Rhapsodie corpus 271
  21. Chapter 16. Macrosyntax at work 285
  22. Chapter 17. The distribution of prosodic features in the Rhapsodie corpus 315
  23. Chapter 18. Syntax and prosody mapping: What and how? 339
  24. Chapter 19. Conclusion 365
  25. References 369
  26. Subject index 393
https://doi.org/10.1075/scl.89.16lac

Chapters in this book

  1. Prelim pages i
  2. Table of contents v
  3. Acknowledgments ix
  4. Preface xi
  5. Introduction 1
  6. Chapter 1. Collecting data for the Rhapsodie treebank 7
  7. Chapter 2. Orthographic and phonetic transcriptions of Rhapsodie recording 21
  8. Chapter 3. Syntactic annotation of the Rhapsodie corpus 35
  9. Chapter 4. Microsyntactic annotation 49
  10. Chapter 5. The annotation of list structures 69
  11. Chapter 6. Macrosyntactic annotation 97
  12. Chapter 7. Annotation tools for syntax 127
  13. Chapter 8. Prosodic annotation of the Rhapsodie corpus 147
  14. Chapter 9. The annotation of syllabic prominences and disfluencies 157
  15. Chapter 10. Segmentation into intonational periods 175
  16. Chapter 11. Derivation of the prosodic structure 213
  17. Chapter 12. From pitch stylization to automatic tonal annotation of speech corpora 233
  18. Chapter 13. Tonal annotation 251
  19. Chapter 14. Tools for fundamental frequency estimation in Rhapsodie 261
  20. Chapter 15. Exploration of the Rhapsodie corpus 271
  21. Chapter 16. Macrosyntax at work 285
  22. Chapter 17. The distribution of prosodic features in the Rhapsodie corpus 315
  23. Chapter 18. Syntax and prosody mapping: What and how? 339
  24. Chapter 19. Conclusion 365
  25. References 369
  26. Subject index 393
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