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Chapter 11. Derivation of the prosodic structure

  • Anne Lacheret-Dujour , Guri Steien and Arthur Truong
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Rhapsodie
This chapter is in the book Rhapsodie

Abstract

This chapter presents the rules implemented for the automatic generation of the internal prosodic structure of an intonational period based on prominence annotations, from the metrical foot to the intonation package. A special feature of the model is that it accounts for performance features such as filled pauses, interruptions and non-prominent disfluent segments, to differentiate two types of constituents, that we called standard and extended units, at each level of the prosodic hierarchy. Each case is illustrated by examples extracted from the Rhapsodie database. The diversity of the output is discussed in the light of the aim of the project: An exhaustive study of the correlations between situational variables and prosodic constructions implies a detailed characterization of the prosodic objects to be observed. Finally, the issue of the representativeness of each type of unit, standard vs. non standard, is discussed in the context of prosodic performance modeling.

Abstract

This chapter presents the rules implemented for the automatic generation of the internal prosodic structure of an intonational period based on prominence annotations, from the metrical foot to the intonation package. A special feature of the model is that it accounts for performance features such as filled pauses, interruptions and non-prominent disfluent segments, to differentiate two types of constituents, that we called standard and extended units, at each level of the prosodic hierarchy. Each case is illustrated by examples extracted from the Rhapsodie database. The diversity of the output is discussed in the light of the aim of the project: An exhaustive study of the correlations between situational variables and prosodic constructions implies a detailed characterization of the prosodic objects to be observed. Finally, the issue of the representativeness of each type of unit, standard vs. non standard, is discussed in the context of prosodic performance modeling.

Chapters in this book

  1. Prelim pages i
  2. Table of contents v
  3. Acknowledgments ix
  4. Preface xi
  5. Introduction 1
  6. Chapter 1. Collecting data for the Rhapsodie treebank 7
  7. Chapter 2. Orthographic and phonetic transcriptions of Rhapsodie recording 21
  8. Chapter 3. Syntactic annotation of the Rhapsodie corpus 35
  9. Chapter 4. Microsyntactic annotation 49
  10. Chapter 5. The annotation of list structures 69
  11. Chapter 6. Macrosyntactic annotation 97
  12. Chapter 7. Annotation tools for syntax 127
  13. Chapter 8. Prosodic annotation of the Rhapsodie corpus 147
  14. Chapter 9. The annotation of syllabic prominences and disfluencies 157
  15. Chapter 10. Segmentation into intonational periods 175
  16. Chapter 11. Derivation of the prosodic structure 213
  17. Chapter 12. From pitch stylization to automatic tonal annotation of speech corpora 233
  18. Chapter 13. Tonal annotation 251
  19. Chapter 14. Tools for fundamental frequency estimation in Rhapsodie 261
  20. Chapter 15. Exploration of the Rhapsodie corpus 271
  21. Chapter 16. Macrosyntax at work 285
  22. Chapter 17. The distribution of prosodic features in the Rhapsodie corpus 315
  23. Chapter 18. Syntax and prosody mapping: What and how? 339
  24. Chapter 19. Conclusion 365
  25. References 369
  26. Subject index 393
https://doi.org/10.1075/scl.89.12lac

Chapters in this book

  1. Prelim pages i
  2. Table of contents v
  3. Acknowledgments ix
  4. Preface xi
  5. Introduction 1
  6. Chapter 1. Collecting data for the Rhapsodie treebank 7
  7. Chapter 2. Orthographic and phonetic transcriptions of Rhapsodie recording 21
  8. Chapter 3. Syntactic annotation of the Rhapsodie corpus 35
  9. Chapter 4. Microsyntactic annotation 49
  10. Chapter 5. The annotation of list structures 69
  11. Chapter 6. Macrosyntactic annotation 97
  12. Chapter 7. Annotation tools for syntax 127
  13. Chapter 8. Prosodic annotation of the Rhapsodie corpus 147
  14. Chapter 9. The annotation of syllabic prominences and disfluencies 157
  15. Chapter 10. Segmentation into intonational periods 175
  16. Chapter 11. Derivation of the prosodic structure 213
  17. Chapter 12. From pitch stylization to automatic tonal annotation of speech corpora 233
  18. Chapter 13. Tonal annotation 251
  19. Chapter 14. Tools for fundamental frequency estimation in Rhapsodie 261
  20. Chapter 15. Exploration of the Rhapsodie corpus 271
  21. Chapter 16. Macrosyntax at work 285
  22. Chapter 17. The distribution of prosodic features in the Rhapsodie corpus 315
  23. Chapter 18. Syntax and prosody mapping: What and how? 339
  24. Chapter 19. Conclusion 365
  25. References 369
  26. Subject index 393
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