Chapter 2. Thematic adverbial adjuncts of place and direction and their relationship to conceptual metaphor in A. E. Housman’s A Shropshire Lad
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Andrew Goatly
Abstract
Systemic Functional Grammar (SFG), in discussing the textual metafunction of grammar, identifies any sentence element other than Subject in initial position in declarative clauses as “marked Theme”. Previous research analysed the use of marked Theme in A. E. Housman’s poem sequence A Shropshire Lad (Goatly 2008), revealing the importance of space, place, orientation and direction. These semantic fields have been identified as significant sources for conceptual metaphors, and this chapter re-examines the widespread use of place and direction adjuncts in marked thematic position for their symbolic significance. By analysing in detail ten of the poems in which marked Theme is particularly prominent, it demonstrates that they do indeed achieve symbolic value, and that their symbolism is dependent upon the conceptual metaphors/metaphor themes identified in and catalogued in Metalude (Goatly 2002-2005). One can conclude that, though apparently backgrounded by being positioned in Theme position, these adjuncts are, in fact, of importance to literary theme.
Abstract
Systemic Functional Grammar (SFG), in discussing the textual metafunction of grammar, identifies any sentence element other than Subject in initial position in declarative clauses as “marked Theme”. Previous research analysed the use of marked Theme in A. E. Housman’s poem sequence A Shropshire Lad (Goatly 2008), revealing the importance of space, place, orientation and direction. These semantic fields have been identified as significant sources for conceptual metaphors, and this chapter re-examines the widespread use of place and direction adjuncts in marked thematic position for their symbolic significance. By analysing in detail ten of the poems in which marked Theme is particularly prominent, it demonstrates that they do indeed achieve symbolic value, and that their symbolism is dependent upon the conceptual metaphors/metaphor themes identified in and catalogued in Metalude (Goatly 2002-2005). One can conclude that, though apparently backgrounded by being positioned in Theme position, these adjuncts are, in fact, of importance to literary theme.
Kapitel in diesem Buch
- Prelim pages i
- Table of contents v
- Acknowledgements vii
- Chapter 1. Introduction 1
- Chapter 2. Thematic adverbial adjuncts of place and direction and their relationship to conceptual metaphor in A. E. Housman’s A Shropshire Lad 17
- Chapter 3. Death by nature in two poems by Alden Nowlan 45
- Chapter 4. Liminal islands 65
- Chapter 5. Urban metaphors 85
- Chapter 6. The Arabic of Dune 105
- Chapter 7. (Re)mapping “authentic” London 125
- Chapter 8. “Boston Strong” 147
- Chapter 9. Naming as styling 167
- Chapter 10. “She enjoys being stroked”, “They are affectionate, lively and interactive boys” 189
- Chapter 11. “Your planet needs you” 209
- Chapter 12. London past and present 229
- Name Index 253
- Subject Index 255
Kapitel in diesem Buch
- Prelim pages i
- Table of contents v
- Acknowledgements vii
- Chapter 1. Introduction 1
- Chapter 2. Thematic adverbial adjuncts of place and direction and their relationship to conceptual metaphor in A. E. Housman’s A Shropshire Lad 17
- Chapter 3. Death by nature in two poems by Alden Nowlan 45
- Chapter 4. Liminal islands 65
- Chapter 5. Urban metaphors 85
- Chapter 6. The Arabic of Dune 105
- Chapter 7. (Re)mapping “authentic” London 125
- Chapter 8. “Boston Strong” 147
- Chapter 9. Naming as styling 167
- Chapter 10. “She enjoys being stroked”, “They are affectionate, lively and interactive boys” 189
- Chapter 11. “Your planet needs you” 209
- Chapter 12. London past and present 229
- Name Index 253
- Subject Index 255
