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Chapter 3. Music, metaphor, and creativity

  • Lawrence M. Zbikowski
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Abstract

This chapter explores the resources for meaning construction provided by music and how musical communication exemplifies creativity. Using two short passages from Haydn’s The Creation as examples, the chapter investigates how musical sounds are correlated with nonmusical phenomena through analogy, a cognitive process related to but distinct from metaphor. The relationship between analogy and metaphor is considered in some detail and connected to explanations of musical meaning construction that draw on semiotics and conceptual metaphor theory. This explanatory framework is extended to musical metonymy, illustrated by an example from Beethoven’s Pastoral Symphony. The chapter proposes that nonlinguistic forms of communication like music provide important insights into analogy, metaphor, and metonymy, and thus into the study of human creativity.

Abstract

This chapter explores the resources for meaning construction provided by music and how musical communication exemplifies creativity. Using two short passages from Haydn’s The Creation as examples, the chapter investigates how musical sounds are correlated with nonmusical phenomena through analogy, a cognitive process related to but distinct from metaphor. The relationship between analogy and metaphor is considered in some detail and connected to explanations of musical meaning construction that draw on semiotics and conceptual metaphor theory. This explanatory framework is extended to musical metonymy, illustrated by an example from Beethoven’s Pastoral Symphony. The chapter proposes that nonlinguistic forms of communication like music provide important insights into analogy, metaphor, and metonymy, and thus into the study of human creativity.

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