Mind the gap
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Mihaela Popa-Wyatt
Abstract
Hyperbole is traditionally understood as exaggeration. I argue instead that the point of hyperbole is emphasis. By overstating that things are greater (lesser) than expected, hoped, or desired, we shift the salience of the target property, thus making it more emphatic. This enables to express surprise or other relevant affect in reaction to how much, or how little, our expectations have been either exceeded or thwarted. This purpose is well suited to hyperbolic expression. This is because hyperbole naturally draws a contrast between how things are and how they were expected to be, exaggerating the gap between them. I conclude by considering the characteristics of hyperbolic figures where hyperbole mixes with other figures of speech.
Abstract
Hyperbole is traditionally understood as exaggeration. I argue instead that the point of hyperbole is emphasis. By overstating that things are greater (lesser) than expected, hoped, or desired, we shift the salience of the target property, thus making it more emphatic. This enables to express surprise or other relevant affect in reaction to how much, or how little, our expectations have been either exceeded or thwarted. This purpose is well suited to hyperbolic expression. This is because hyperbole naturally draws a contrast between how things are and how they were expected to be, exaggerating the gap between them. I conclude by considering the characteristics of hyperbolic figures where hyperbole mixes with other figures of speech.
Chapters in this book
- Prelim pages i
- Table of contents v
- Preface vii
- Introduction 1
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Section 1. General empirical studies, with main focus on metaphor
- Producing metaphor (and other forms of non-literal language) in the laboratory 37
- Metaphor and one-off pictures 55
- Metaphor production and metaphor interpretation 85
- On the role of perceptual similarity in producing visual metaphors 105
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Section 2. General empirical studies – other
- On why people don’t say what they mean 129
- How nice does it sound? 175
- How defaultness shapes our language production 211
- Producing figurative meanings 237
- The production of verbal irony 263
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Section 3. Empirical and analytical studies aimed at specific applications
- Generating metaphors in product design 299
- Rock bottoms, juggling balls and coalprints 331
- Figurative production in a computer-mediated discussion forum 363
- The production of time-related metaphors by people who have experienced pregnancy loss 389
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Section 4. Other theoretical analysis and cognitive or computational modelling
- Metaphor generation through context sensitive distributional semantics 421
- Mind the gap 449
- Figurative language 469
- Metaphor as sign and as symbol 511
- Topic Index 533
- Author Index 543
Chapters in this book
- Prelim pages i
- Table of contents v
- Preface vii
- Introduction 1
-
Section 1. General empirical studies, with main focus on metaphor
- Producing metaphor (and other forms of non-literal language) in the laboratory 37
- Metaphor and one-off pictures 55
- Metaphor production and metaphor interpretation 85
- On the role of perceptual similarity in producing visual metaphors 105
-
Section 2. General empirical studies – other
- On why people don’t say what they mean 129
- How nice does it sound? 175
- How defaultness shapes our language production 211
- Producing figurative meanings 237
- The production of verbal irony 263
-
Section 3. Empirical and analytical studies aimed at specific applications
- Generating metaphors in product design 299
- Rock bottoms, juggling balls and coalprints 331
- Figurative production in a computer-mediated discussion forum 363
- The production of time-related metaphors by people who have experienced pregnancy loss 389
-
Section 4. Other theoretical analysis and cognitive or computational modelling
- Metaphor generation through context sensitive distributional semantics 421
- Mind the gap 449
- Figurative language 469
- Metaphor as sign and as symbol 511
- Topic Index 533
- Author Index 543
