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The Ethics of Literary Communication
Genuineness, directness, indirectness
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Edited by:
Roger D. Sell
, Adam Borch and Inna Lindgren
Language:
English
Published/Copyright:
2013
About this book
Viewing literature as one among other forms of communication, Roger D. Sell and his colleagues evaluate writer-respondent relationships according to the same ethical criterion as applies for dialogue of any other kind. In a nutshell: Are writers and readers respecting each other’s human autonomy? If and when the answer here is “Yes!”, Sell’s team describe the communication that is going on as ‘genuine’. In this latest book, they offer new illustrations of what they mean by this, and ask whether genuineness is compatible with communicational directness and communicational indirectness. Is there a risk, for instance, that a very direct manner of writing could be unacceptably coercive, or that a more indirect manner could be irresponsible, or positively deceitful? The book’s overall conclusion is: “Not necessarily!” A directness which is truthful and stimulates free discussion does respect the integrity of the other person. And the same is true of an indirectness which encourages readers themselves to contribute to the construction and assessment of ideas, stories and experiences – sometimes literary indirectness may allow greater scope for genuineness than does the directness of a non-literary letter. By way of illustrating these points, the book opens up new lines of inquiry into a wide range of literary texts from Britain, Germany, France, Denmark, Poland, Romania, and the United States.
Topics
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Roger D. Sell, Adam Borch and Inna Lindgren Requires Authentication Unlicensed Licensed |
1 |
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A communicational assessment Roger D. Sell Requires Authentication Unlicensed Licensed |
21 |
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Literature as communication with the self in Proust’s À la recherche du temps perdu Anna Orhanen Requires Authentication Unlicensed Licensed |
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E. E. Cummings’s Preface to his Collected Poems 1923–1958 Mohamed Saki Requires Authentication Unlicensed Licensed |
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E. M. Forster’s “West Hackhurst” and its contexts Jason Finch Requires Authentication Unlicensed Licensed |
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Pope’s addressivity through The Dunciad Adam Borch Requires Authentication Unlicensed Licensed |
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Inna Lindgren Requires Authentication Unlicensed Licensed |
99 |
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Autonomy and dialogicity in Isaac Bashevis Singer’s The Penitent David Stromberg Requires Authentication Unlicensed Licensed |
115 |
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Poetry under erasure in Blake, Dickinson and Eliot Bo Pettersson Requires Authentication Unlicensed Licensed |
129 |
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Contemporary Romanian poetry Carmen Popescu Requires Authentication Unlicensed Licensed |
147 |
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Shakespeare’s Sonnet 126 and Keats’s “To Autumn” Jonathan P.A. Sell Requires Authentication Unlicensed Licensed |
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Ernst Bloch’s Traces and Johann-Peter Hebel’s Treasure Chest Johan Siebers Requires Authentication Unlicensed Licensed |
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Søren Kierkegaard’s concept of indirect communication Sebastian Hüsch Requires Authentication Unlicensed Licensed |
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Balzac’s communication with Evelina Hanska Ewa Szypula Requires Authentication Unlicensed Licensed |
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Epistolary communication in Ciaran Carson’s The Pen Friend Catherine Conan Requires Authentication Unlicensed Licensed |
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
September 16, 2013
eBook ISBN:
9789027271686
Pages and Images/Illustrations in book
Main content:
271
eBook ISBN:
9789027271686
Keywords for this book
Discourse studies; Pragmatics; Communication Studies; Dialogue studies; Theoretical literature & literary studies
Audience(s) for this book
Professional and scholarly;