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Chapter 16. Fear and love in Matanzas

Emotional extremis in the works of Juan Francisco Manzano
  • Marilyn G. Miller
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A Comparative Literary History of Modern Slavery
Ein Kapitel aus dem Buch A Comparative Literary History of Modern Slavery

Abstract

Many of the most gripping scenes in the first-person account of life under slavery by the 19th-century Cuban poet Juan Francisco Manzano reference pleasures and punishments involving the exercise of the emotions. His works in both narrative and verse strikingly foreground emotional duress as a central and lasting product of the psychosocial and physical abuse that characterized enslavement. Denied the free expression of his own senses and emotions, his autobiographical protagonist is at the same time subject to the degraded sensory indulgences of overseers and others who force him to participate in acts that perpetuate his own harm. In the dramatic representation of these traumatic episodes, Manzano notes how his natural liveliness, bonhomie and even affection for those around him were gradually replaced by overwhelming melancholy and foreboding.

Abstract

Many of the most gripping scenes in the first-person account of life under slavery by the 19th-century Cuban poet Juan Francisco Manzano reference pleasures and punishments involving the exercise of the emotions. His works in both narrative and verse strikingly foreground emotional duress as a central and lasting product of the psychosocial and physical abuse that characterized enslavement. Denied the free expression of his own senses and emotions, his autobiographical protagonist is at the same time subject to the degraded sensory indulgences of overseers and others who force him to participate in acts that perpetuate his own harm. In the dramatic representation of these traumatic episodes, Manzano notes how his natural liveliness, bonhomie and even affection for those around him were gradually replaced by overwhelming melancholy and foreboding.

Kapitel in diesem Buch

  1. Prelim pages i
  2. Table of contents v
  3. Preface vii
  4. General introduction xi
  5. Slavery, literature and the emotions 1
  6. Part One. Slavery, sentiment and affect
  7. Chapter 1. Slavery, sentimentality and the abolition of affect 18
  8. Chapter 2. Race and affect in Gustave de Beaumont’s Marie, ou L’esclavage aux Etats‑Unis 34
  9. Chapter 3. Touching difference and colonial space 50
  10. Part Two. Slavery between literary codes
  11. Chapter 4. In search of home 78
  12. Chapter 5. Showing and feeling the atrocities of slavery 95
  13. Chapter 6. Politics and faith, slavery and abolition in nineteenth-century Brazilian literature 110
  14. Chapter 7. Melodramatic tableaux vivants 136
  15. Part Three. Pity, identification and interpellation
  16. Chapter 8. Before sentimental empire 158
  17. Chapter 9. “No one can imagine my feelings” 173
  18. Chapter 10. Orientalism, slavery and emotion 191
  19. Chapter 11. Haunting slavery 207
  20. Part Four. Affective ties
  21. Chapter 12. Testamentary manumission and emotional bonds in eighteenth-century Saint-Domingue 226
  22. Chapter 13. Affection amidst domination in a post-slavery society 239
  23. Chapter 14. Bárbora and Jau 254
  24. Part Five. First-person voices
  25. Chapter 15. Scenes of emotion in French early-modern travel writing from the Caribbean 272
  26. Chapter 16. Fear and love in Matanzas 289
  27. Chapter 17. The blood-stained-gate 307
  28. Volume 1. Biographical descriptions 325
  29. Name index 331
https://doi.org/10.1075/chlel.xxxvi.16mil

Kapitel in diesem Buch

  1. Prelim pages i
  2. Table of contents v
  3. Preface vii
  4. General introduction xi
  5. Slavery, literature and the emotions 1
  6. Part One. Slavery, sentiment and affect
  7. Chapter 1. Slavery, sentimentality and the abolition of affect 18
  8. Chapter 2. Race and affect in Gustave de Beaumont’s Marie, ou L’esclavage aux Etats‑Unis 34
  9. Chapter 3. Touching difference and colonial space 50
  10. Part Two. Slavery between literary codes
  11. Chapter 4. In search of home 78
  12. Chapter 5. Showing and feeling the atrocities of slavery 95
  13. Chapter 6. Politics and faith, slavery and abolition in nineteenth-century Brazilian literature 110
  14. Chapter 7. Melodramatic tableaux vivants 136
  15. Part Three. Pity, identification and interpellation
  16. Chapter 8. Before sentimental empire 158
  17. Chapter 9. “No one can imagine my feelings” 173
  18. Chapter 10. Orientalism, slavery and emotion 191
  19. Chapter 11. Haunting slavery 207
  20. Part Four. Affective ties
  21. Chapter 12. Testamentary manumission and emotional bonds in eighteenth-century Saint-Domingue 226
  22. Chapter 13. Affection amidst domination in a post-slavery society 239
  23. Chapter 14. Bárbora and Jau 254
  24. Part Five. First-person voices
  25. Chapter 15. Scenes of emotion in French early-modern travel writing from the Caribbean 272
  26. Chapter 16. Fear and love in Matanzas 289
  27. Chapter 17. The blood-stained-gate 307
  28. Volume 1. Biographical descriptions 325
  29. Name index 331
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Heruntergeladen am 26.12.2025 von https://www.degruyterbrill.com/document/doi/10.1075/chlel.xxxvi.16mil/html?lang=de
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