Flaming Creatures
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Constantine Verevis
About this book
Author / Editor information
Constantine Verevis is an Associate Professor at Monash University’s School of Media, Film and Journalism. His work spans both film theory and cultural studies, and his primary research area is media seriality, including film and TV remakes, sequels, and trilogies. His books include Second Takes: Critical Approaches to the Film Sequel (co-editor, SUNY Press, 2012), Film Trilogies: New Critical Approaches (co-editor, Palgrave Macmillan, 2012), B is for Bad Cinema: Aesthetics, Politics and Cultural Value (co-editor, SUNY Press, 2014) and others.Constantine Verevis is associate professor of film and screen studies at Monash University. He is the author of Film Remakes (2005) and coeditor of B Is for Bad Cinema (2014), among other titles.
Reviews
Flaming Creatures offers a comprehensive study of this classic and controversial avant-garde film, from its production and reception history to its complex, even fraught, place in the New York experimental scene, to scene-by-scene meanings, performance styles, and overall artistic accomplishments. Verevis even uses his well-known talents as a top scholar of film remakes to clarify the film’s status as a complicated yet loving ode to Hollywood kitsch.
Janet Staiger, author of Perverse Spectators: The Practices of Film Reception:
Constantine Verevis's Flaming Creatures dissects and maps with great affection the tangled network of intertextual appropriations Jack Smith performed in his landmark film. While the film has provoked censorship and admiration, scorn and expressions of the sublime, Verevis reveals Smith's "secret-flix" in rich detail, illuminating both aesthetic and cultural confrontations that now mark the transition to contemporary cinema. A feast of historical and filmic information.
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