Abstract
This article offers a comparative analysis of the concept of the event in the philosophy of Jean-Luc Marion and Alain Badiou. Phenomenological and psychoanalytic approaches are brought together to describe how the event poses a limit problem to signifying mediation. A case study of visibility in painting is offered to illustrate how an event cannot be shown, but must show itself in excess of symbolizing practices. The article concludes by evaluating the analytic importance of this concept for critical research across the arts, media, and communication studies.
Published Online: 2011-09-29
Published in Print: 2011-October
© 2011 Walter de Gruyter GmbH & Co. KG, Berlin/Boston
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Keywords for this article
phenomenology;
psychoanalysis;
semiotics;
communication;
event;
visibility
Articles in the same Issue
- Blending in mathematics
- Film as specific signifying practice: A rational reconstruction of Stephen Heath's “On screen, in frame: Film and ideology”
- Quarantine
- An inconvenient truth? Can a film really affect psychological mood and our explicit attitudes towards climate change?
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- The materiality of discourses and the semiotics of materials: A social perspective on the meaning potentials of written texts and furniture
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- Cosmos and creativity: Man in an evolving universe as a creative, aesthetical agent — some Peircean remarks
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- Formation of interpretants in Roentgen semiotics
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- An excess of signification: Or, what is an event?
- The illustration of beauty: Super-exposed in the U.S., veiled in Iran
- A novel semio-mathematical technique for excavating themes out of group dynamics
- Compound constructions: Waterproof three-storey brick and tile fire stations?