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“The Future’s So Bright, I Gotta Wear Shades”: Globality and Our Common Dystopian Eco-Apocalyptic Science Fiction Streaming Future
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N. Megan Kelley
Published/Copyright:
June 9, 2021
Abstract
N. Megan Kelley discusses various manifestations of globality in contemporary cinema.
References
Alexander, J. 2020. “Contagion Shows the Lengths People Go to Watch a Movie They Can’t Stream: Why a 2011 Movie is Suddenly Being Downloaded and Rented Worldwide.” The Verge. 7 March.Search in Google Scholar
Fear, D. 2020. “How Contagion Suddenly Became the Most Urgent Movie of 2020.” Rolling Stone. 13 March.Search in Google Scholar
Lyons, L. 2013. “‘Gravity,’ China and the End of American Exceptionalism in Outer Space.” Spaceflight Insider. 19 October.Search in Google Scholar
Sims, David. 2016. “Arrival’s Timely Message About Empathy.” The Atlantic. 16 November.Search in Google Scholar
Received: 2021-04-14
Accepted: 2021-05-09
Published Online: 2021-06-09
© 2021 Walter de Gruyter GmbH, Berlin/Boston
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Articles in the same Issue
- Frontmatter
- Editors’ Forum on Globality
- Editorial
- The State of Globality in a (Post)-COVID World
- Fear of Disconnecting: Global Health Imaginations and the Transformations of the Taiwanese State
- Globality and Entangled Security: Rethinking the Post-1945 Order
- Retrospective Redundancy: The Anthropocene and the Crisis of Historical Comprehension
- Against Global Literary Studies
- “The Future’s So Bright, I Gotta Wear Shades”: Globality and Our Common Dystopian Eco-Apocalyptic Science Fiction Streaming Future
- International Relations, New Global Studies, and the Epistemic Power of the Image
- What’s Wrong with the Global? The Interconnected Roles of Inequality, Migrancy, Criminality, Religion, Class, and Caste in India
- What’s Happened to Global News?
- Coda: Ten Questions on Globality
- Review Essays
- Ludger Kühnhardt and Tilman Mayer: The Bonn Handbook of Globality
- Sean Metzger: The Chinese Atlantic; Karel Davids: Global Ocean of Knowledge
- Brian Russell Roberts: Borderwaters: Amid the Archipelagic States of America
- Sianne Ngai. Theory of the Gimmick: Aesthetic Judgment and Capitalist Form
- Book Reviews
- Trond Undheim: Pandemic Aftermath: How Coronavirus Changes Global Society
- Stephen Wertheim: Tomorrow the World: The Birth of U.S. Global Supremacy
- David Sepkoski: Catastrophic Thinking: Extinction and the Value of Diversity from Darwin to the Anthropocene
Articles in the same Issue
- Frontmatter
- Editors’ Forum on Globality
- Editorial
- The State of Globality in a (Post)-COVID World
- Fear of Disconnecting: Global Health Imaginations and the Transformations of the Taiwanese State
- Globality and Entangled Security: Rethinking the Post-1945 Order
- Retrospective Redundancy: The Anthropocene and the Crisis of Historical Comprehension
- Against Global Literary Studies
- “The Future’s So Bright, I Gotta Wear Shades”: Globality and Our Common Dystopian Eco-Apocalyptic Science Fiction Streaming Future
- International Relations, New Global Studies, and the Epistemic Power of the Image
- What’s Wrong with the Global? The Interconnected Roles of Inequality, Migrancy, Criminality, Religion, Class, and Caste in India
- What’s Happened to Global News?
- Coda: Ten Questions on Globality
- Review Essays
- Ludger Kühnhardt and Tilman Mayer: The Bonn Handbook of Globality
- Sean Metzger: The Chinese Atlantic; Karel Davids: Global Ocean of Knowledge
- Brian Russell Roberts: Borderwaters: Amid the Archipelagic States of America
- Sianne Ngai. Theory of the Gimmick: Aesthetic Judgment and Capitalist Form
- Book Reviews
- Trond Undheim: Pandemic Aftermath: How Coronavirus Changes Global Society
- Stephen Wertheim: Tomorrow the World: The Birth of U.S. Global Supremacy
- David Sepkoski: Catastrophic Thinking: Extinction and the Value of Diversity from Darwin to the Anthropocene
