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Zufälligkeitssinn. Adalbert Stifters Umgang mit der Kontingenz

  • Robert Stockhammer
Published/Copyright: February 20, 2008
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arcadia
From the journal Volume 39 Issue 2

Abstract

Adalbert Stifter's texts display a particularly high degree of “sense of contingency” (to be distinguished from Robert Musil's “sense of possibility”), not only as a mover of their plot, but also as a rationale for their own mode of writing. Their écriture is decisively metonymic in the sense of not being synecdochal: Stifter mistrusts any claim to represent a larger unit by focusing on a part of it. Rather, he stresses the contingency implied in the selection of any part. This can be clearly shown by way of a close reading that compares different versions of the story “Der beschriebene Tännling”.

Published Online: 2008-02-20
Published in Print: 2004-11-19

© Walter de Gruyter

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