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“Der Einbruch der Zeit in das Spiel”: Hamlet from Berlin (East)
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Galin Tihanov
Published/Copyright:
February 20, 2008
Abstract
Hitherto unknown archival material allows a closer look at Carl Schmitt as a theorist of culture and tragedy, and a fuller examination of Heiner Müller's interest in, and debt to, him. The significance of Schmitt's theory of drama for Heiner Müller's Hamletmachine is analyzed against the comparative background of Russian literary Hamletism. Müller's self-conscious intertextualism was a response to, and an extension of, Schmitt's critique of the role of artistic imagination in drama, which is treated here as but an element of his wider post-romantic cultural and social theory.
Published Online: 2008-02-20
Published in Print: 2004-11-19
© Walter de Gruyter
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Articles in the same Issue
- Adressen der Mitarbeiter
- Introduction. Framing Contingency: History and Heterology
- Framing the Frame: Contingency, Connection and Divestiture in Literary History and Criticism
- Naming and Contingency, and Some Implications for Begriffsgeschichte
- About Artful Production of Contingency
- Zufälligkeitssinn. Adalbert Stifters Umgang mit der Kontingenz
- Subjective Contingency and Autobiographical Writing
- Counter-Memory and Phantasma
- La Panique Historique. History Encountering Contingency
- History as Effects of Power
- Neutralizing Contingency: Ammianus Marcellinus as a Participant in Julian's Persian Campaign, 363 AD
- “Der Einbruch der Zeit in das Spiel”: Hamlet from Berlin (East)
- “Bridge to Antiquity“. Nostalgia, Exile, and Stoicism in the Poetry of Durs Grünbein
- OΔYΣΣEYΣ OYTIΣ: Odysseus Nobody
- Darstellungen von Dora. Thomas Pynchons Gravity's Rainbow im Spannungsfeld von fiktionalen, historiographischen und erinnerungsbasierten Repräsentationen des Konzentrationslagers Mittelbau-Dora
- Die erlebte Rede als temporales Phänomen
- Rezensionen