The Interactive Documentary in Canada
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Edited by:
Michael Brendan Baker
About this book
The history and future of interactive documentary storytelling in Canada.
In the 2010s Canada was a world leader in creating interactive documentaries. By the 2020s many of these celebrated i-docs were rendered inaccessible by obsolete technology. This collection examines the short-lived past and the imagined future of the i-doc and emphasizes its impact on the contemporary film and media landscape in Canada and beyond.
Author / Editor information
Michael Brendan Baker is professor of film studies at Sheridan College.Mulvogue Jessica :
Jessica Mulvogue is lecturer of film studies at the University of St. Andrews
Michael Brendan Baker is professor of film studies at Sheridan College.
Jessica Mulvogue is lecturer of film studies at the University of St. Andrews.
Reviews
“Those things most recently outdated tell us much about our present. I-docs reflect their conditions of production: a moment of transition between media paradigms, the new one of which we are now just catching sight of. At stake is not only what these i-docs were but also how they changed our sense of what it means to interact. Baker and Mulvogue are doing a great service by creating a record of this receding moment in Canadian documentary media history; these essays are already an archive for the future.” Jaimie Baron, University of California, Berkeley
Topics
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Michael Brendan Baker and Jessica Mulvogue Requires Authentication Unlicensed Licensed |
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Part 1 Technology, Innovation, Experimentation: Histories and Case Studies of I-Doc Production and Exhibition in Canada
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Michael Brendan Baker Requires Authentication Unlicensed Licensed |
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Frédéric Dubois Requires Authentication Unlicensed Licensed |
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Daniel Keyes and Mike Robbins Requires Authentication Unlicensed Licensed |
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Gerda Cammaer and Max Schleser Requires Authentication Unlicensed Licensed |
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Matt Soar and Monika Kin Gagnon Requires Authentication Unlicensed Licensed |
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Caroline Klimek Requires Authentication Unlicensed Licensed |
125 |
Part 2 Encounters with Others: Activism, Agency, and Ethics
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Rachel Webb Jekanowski and Elizabeth Miller Requires Authentication Unlicensed Licensed |
143 |
Laura Ann Fox Requires Authentication Unlicensed Licensed |
161 |
Freya Wright-Brough Requires Authentication Unlicensed Licensed |
181 |
Chelsea Birks Requires Authentication Unlicensed Licensed |
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Jessica Mulvogue Requires Authentication Unlicensed Licensed |
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Part 3 Image and Sound beyond “the Real”: Media Pasts, Presents, and Futures
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Peter Urquhart Requires Authentication Unlicensed Licensed |
237 |
Randolph Jordan Requires Authentication Unlicensed Licensed |
251 |
Zoë Druick Requires Authentication Unlicensed Licensed |
269 |
Cindy Poremba and Amy Siegel Requires Authentication Unlicensed Licensed |
284 |
Brenda Longfellow Requires Authentication Unlicensed Licensed |
303 |
Dale Hudson and Patricia R. Zimmermann Requires Authentication Unlicensed Licensed |
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