Band 6, Heft 12

Disazoacetoacetanilide pigments, more commonly known as diarylide yellows, are the most important group of yellow classical organic pigments. They were commercialized in the early 20th century many years after the introduction of the structurally related monazoacetoacetanilides (Hansa yellows). The molecules adopt the bis-ketohydrazone tautomeric form. X-ray single crystal structure investigations have provided an insight into the influence of the molecular geometry and crystal packing arrangements in the solid state on the properties of the pigments in application. The synthesis of diarylide pigments is relatively straightforward, the conditions essentially following those used for the corresponding monoazo pigments, so that the products are economically priced. In the case of these disazo pigments, suitable aromatic amines (1 mol) are bis-diazotized and the resulting bis-diazonium salts reacted with acetoacetanilide coupling components (2 mol), the two azo coupling reactions occurring at the same time. They are by far the dominant group of yellow pigments used in printing inks, well-suited for most standard process yellow inks. They were formerly important in the coloration of plastics but are no longer recommended for polymers processed above 200 °C, under which conditions toxic decomposition products are formed. Diarylide yellow pigments are characterized by high color strength, good to excellent solvent fastness, and good chemical stability, although they generally show inferior lightfastness.

This introductory chapter presents an overview of the general principles underlying the structural chemistry, manufacturing processes, and application technology of organic pigments. The coverage provides a fundamental theoretical and practical basis for the chapters that follow in this series that are devoted to specific chemical classes of industrially significant organic pigments of the azo, phthalocyanine, carbonyl, dioxazine, and metal complex classes. The initial sections cover the fundamental differences which mean that dyes and pigments are considered universally as two separate types of colorant, based on their solubility characteristics. They also provide discussions of the contrasting chemical, technological, and performance features of organic and inorganic pigments. An outline of the most important historical features in the development of the synthetic organic pigment industry is then presented, from its origins in the 19th century that followed soon after the development of the industrial synthetic dye industry, through its expansion in the 20th century, to its current position as a mature global industry. A section then follows that describes the functions that organic pigments are required to perform in their application, mainly their optical functions that include not only color properties, including hue, strength, brightness, but also the contrasting requirements for transparency or opacity as demanded by specific applications. The pigments are also required to resist the conditions and agencies that they might encounter in applications, assessed as fastness properties, such as fastness to light, heat, solvents and chemicals, amongst many others, to an extent that specific applications demand. The principles, in broad terms, of the ways in which chemical structures determine colour and performance of organic pigments are discussed, with focus not only on the influence of molecular structure, but also on the effect of the crystal structural arrangement and the particulate structure, including particle size and shape and its distribution, on application performance. This is important as these pigments are applied as a dispersion of finely divided crystalline solid particles that are insoluble and are ultimately trapped mechanically in their application medium, often a polymer. The manufacture of organic pigments is discussed in broad terms. The overall process may be considered in stages, initiated by the chemical synthetic sequence in which the pigment is formed, followed by a conditioning stage where the crude product thus obtained is modified to optimise its performance properties, and finally finishing where the product is processed into a form, or preparation, that is suitable for its intended applications. Finally, the technological principles underlying a broad range of the most important application areas for organic pigments, which are mainly in paints, inks, and plastics, are discussed.

The color cosmetic market, even though highly dependent on color, is driven by texture. Pigment and color innovation are predominantly taking place in the field of inorganic effect pigments, as colorants are regulated within the different cosmetic directives and toxicological profiles have to be established prior to use. Therefore, the formulation and the packaging are the relevant innovative factors. Nevertheless, color cosmetics are driven by fashion and trends. One of the main drivers for sales is social networks. They are image based and therefore the ideal platform to spread these trends, boosting sales of color cosmetics recently. Even though, color cosmetics seem to be very simple in composition, the development, production and quality control are far from that. In color cosmetics, all cosmetic disciplines cumulate: dispersion strategies, emulsion technologies, molding and extruding of sticks and pencil leads, mixing and compressing of powders, liquid inks and so on. And almost every discipline requires separate production vessels, resulting in a rather complex manufacturing process.

Ultramarine pigments are representatives of the inorganic blue pigments. They are characterized by intensive shades of blue and relatively weak violet and pink color tones. The composition of the pigments can be summarized by the formula Na 7 Al 6 Si 6 O 24 S 3 . The color of ultramarine is generated by incorporation of free polysulfide radicals in the structure of a sodalite-derived crystal lattice. Ultramarine pigments are synthesized using a series of complex solid-state reactions. The pigments are mainly used in plastics, paints and powder coatings and printing inks, but also in paper and paper coatings.

White pigments are inorganic pigments, whose optical action is mainly based on non-selective light scattering. White pigments do not show absorption in the range of visible light, but have high scattering power leading to high hiding power in their applications. The greater the difference between the refractive index of the white pigment and that of the surrounding medium, the higher the scattering power.

This chapter provides an overview of the structural and synthetic chemistry, and the industrial applications, of dioxazine pigments, a small group of high performance organic pigments. The color violet (or purple) has frequently assumed a prominent position in history, on account of its rarity and cost. The natural colorant Tyrian purple and the first synthetic textile dye, Mauveine, are prime examples of this unique historical feature. CI Pigment Violet 23, also referred to as Dioxazine Violet or Carbazole Violet, is one of the most universally used organic pigments, by far the most important industrial pigment in the violet shade area. Dioxazine Violet is also unique as the dominant industrial violet pigment providing a brilliant, intense violet color and an excellent all-round set of fastness properties. The pigment has a polycyclic molecular structure, originally described wrongly as a linear arrangement, and later shown to adopt an S-shaped arrangement on the basis of X-ray structural analysis. Two other dioxazine pigments are of rather lesser importance. The synthesis and manufacturing route to CI Pigment Violet 23 is described in the review. Finally, a survey of the principal current applications of the individual dioxazine pigments is presented.