INTRODUCTION

Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. ILLUSTRATIONS vii
4. ACKNOWLEDGMENTS xi
5. INTRODUCTION 1
6. PART 1: CONTEXTS
7. 1. History: The Long View of 3D Film and Theory 17
8. 2. Visualization: From Perspective to Digital 3D 42
9. PART 2: MAPPED SPACES
10. INTRODUCTION 63
11. 3. Simulation: Dematerializing and Enframing 67
12. 4. Immersion: Entering the Screen 92
13. 5. Surveillance: Converting Image to Space, World to Data 115
14. PART 3: MONSTROUS SPACES
15. INTRODUCTION 141
16. 6. Defamiliarization: Rethinking the Screen Plane. 143
17. 7. Distortion: Unfamiliar and Unconventional Space 166
18. 8. Intimacy: The Boundedness of Stereoscopic Media 193
19. Conclusion: Seeing in 3D 221
20. Notes 229
21. Bibliography 265
22. Index 281