Artikel
Open Access
An image of recurrent time: Notes on cinematic image and the gaze in Béla Tarr’s Sátántangó
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Jana Dudková
Veröffentlicht/Copyright:
29. Dezember 2012
Published Online: 2012-12-29
Published in Print: 2013-01-01
© 2013 Institute for Research in Social Communication, Slovak Academy of Sciences
Artikel in diesem Heft
- Introduction:Image in film and theatre
- The struggle for liberation and visions of freedom perspectives in African films
- An image of recurrent time: Notes on cinematic image and the gaze in Béla Tarr’s Sátántangó
- A moment of Klim
- Subtle mise-en-scènes of the Middle Ages
- Image, Europe, drama
- The reflection of negative social phenomena in contemporary opera practice
- Mask archetype in contemporary scenic image
- Theatrical documentary of performance art
- Empowering the marginalized: Mahatma Gandhi National Rural Employment Guarantee Act in India
- On Japanese drama
- The heritage of the past and the present
- Trust-based medicine
Schlagwörter für diesen Artikel
image in cinema;
image of time;
the gaze;
the look;
the work of Béla Tarr;
Hungarian cinema
Creative Commons
BY-NC-ND 3.0
Artikel in diesem Heft
- Introduction:Image in film and theatre
- The struggle for liberation and visions of freedom perspectives in African films
- An image of recurrent time: Notes on cinematic image and the gaze in Béla Tarr’s Sátántangó
- A moment of Klim
- Subtle mise-en-scènes of the Middle Ages
- Image, Europe, drama
- The reflection of negative social phenomena in contemporary opera practice
- Mask archetype in contemporary scenic image
- Theatrical documentary of performance art
- Empowering the marginalized: Mahatma Gandhi National Rural Employment Guarantee Act in India
- On Japanese drama
- The heritage of the past and the present
- Trust-based medicine
