Article
Open Access
The reflection of negative social phenomena in contemporary opera practice
-
Michaela Mojžišová
Published/Copyright:
December 29, 2012
Published Online: 2012-12-29
Published in Print: 2013-01-01
© 2013 Institute for Research in Social Communication, Slovak Academy of Sciences
Articles in the same Issue
- Introduction:Image in film and theatre
- The struggle for liberation and visions of freedom perspectives in African films
- An image of recurrent time: Notes on cinematic image and the gaze in Béla Tarr’s Sátántangó
- A moment of Klim
- Subtle mise-en-scènes of the Middle Ages
- Image, Europe, drama
- The reflection of negative social phenomena in contemporary opera practice
- Mask archetype in contemporary scenic image
- Theatrical documentary of performance art
- Empowering the marginalized: Mahatma Gandhi National Rural Employment Guarantee Act in India
- On Japanese drama
- The heritage of the past and the present
- Trust-based medicine
Keywords for this article
European opera;
Slovak opera;
the message of opera production;
contemporary production trends;
the visual means of expression;
negative social phenomena;
terrorism;
moral values
Creative Commons
BY-NC-ND 3.0
Articles in the same Issue
- Introduction:Image in film and theatre
- The struggle for liberation and visions of freedom perspectives in African films
- An image of recurrent time: Notes on cinematic image and the gaze in Béla Tarr’s Sátántangó
- A moment of Klim
- Subtle mise-en-scènes of the Middle Ages
- Image, Europe, drama
- The reflection of negative social phenomena in contemporary opera practice
- Mask archetype in contemporary scenic image
- Theatrical documentary of performance art
- Empowering the marginalized: Mahatma Gandhi National Rural Employment Guarantee Act in India
- On Japanese drama
- The heritage of the past and the present
- Trust-based medicine
