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1. Introduction
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Kate P Albers
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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- Acknowledgments vii
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PART 1: PHOTOGRAPHY IN SUSPENSION
- 1. Introduction 1
- 2. Cultivating Uncertainty 18
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PART 2: ABUNDANCE AND OPACITY
- 3. Displacements: Gerhard Richter’s Atlas 47
- 4. “around this nucleus a large empty space”: Dinh Q. Lê’s Mot Coi Di Ve 74
- 5. Historical Reconstruction and Doubt: Christian Boltanski’s Les archives de C. B., 1965– 1988 87
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PART 3: UNSEEN HISTORIES
- 6. After the Fact: Joel Sternfeld’s On This Site 107
- 7. The Performative Landscape: Ken Gonzales-Day’s Hang Trees 130
- 8. Conclusion 152
- Notes 157
- Bibliography 185
- List of Illustrations 201
- Index 205
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- Acknowledgments vii
-
PART 1: PHOTOGRAPHY IN SUSPENSION
- 1. Introduction 1
- 2. Cultivating Uncertainty 18
-
PART 2: ABUNDANCE AND OPACITY
- 3. Displacements: Gerhard Richter’s Atlas 47
- 4. “around this nucleus a large empty space”: Dinh Q. Lê’s Mot Coi Di Ve 74
- 5. Historical Reconstruction and Doubt: Christian Boltanski’s Les archives de C. B., 1965– 1988 87
-
PART 3: UNSEEN HISTORIES
- 6. After the Fact: Joel Sternfeld’s On This Site 107
- 7. The Performative Landscape: Ken Gonzales-Day’s Hang Trees 130
- 8. Conclusion 152
- Notes 157
- Bibliography 185
- List of Illustrations 201
- Index 205