Presented to you through Paradigm Publishing Services
University of California Press
Chapter
Licensed
Unlicensed
Requires Authentication
1. Introduction
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgments vii
-
PART 1: PHOTOGRAPHY IN SUSPENSION
- 1. Introduction 1
- 2. Cultivating Uncertainty 18
-
PART 2: ABUNDANCE AND OPACITY
- 3. Displacements: Gerhard Richter’s Atlas 47
- 4. “around this nucleus a large empty space”: Dinh Q. Lê’s Mot Coi Di Ve 74
- 5. Historical Reconstruction and Doubt: Christian Boltanski’s Les archives de C. B., 1965– 1988 87
-
PART 3: UNSEEN HISTORIES
- 6. After the Fact: Joel Sternfeld’s On This Site 107
- 7. The Performative Landscape: Ken Gonzales-Day’s Hang Trees 130
- 8. Conclusion 152
- Notes 157
- Bibliography 185
- List of Illustrations 201
- Index 205
Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgments vii
-
PART 1: PHOTOGRAPHY IN SUSPENSION
- 1. Introduction 1
- 2. Cultivating Uncertainty 18
-
PART 2: ABUNDANCE AND OPACITY
- 3. Displacements: Gerhard Richter’s Atlas 47
- 4. “around this nucleus a large empty space”: Dinh Q. Lê’s Mot Coi Di Ve 74
- 5. Historical Reconstruction and Doubt: Christian Boltanski’s Les archives de C. B., 1965– 1988 87
-
PART 3: UNSEEN HISTORIES
- 6. After the Fact: Joel Sternfeld’s On This Site 107
- 7. The Performative Landscape: Ken Gonzales-Day’s Hang Trees 130
- 8. Conclusion 152
- Notes 157
- Bibliography 185
- List of Illustrations 201
- Index 205