Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
The Paradox of the Individual and the Collective:
An Angle of Observation in Contemporary Chinese Theatre
-
Tao Qingmei
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Frontmatter 1
- Content 5
- Preface 7
- Ink Painting in the Age of New Wave 17
- The Sound of One Hand: Between Meaning and No-Meaning 29
- The Essential Meaning of Chinese Calligraphy and Its Loss 45
- Literati Painting: Reflections Across Discontinuities 59
- Realism is a Kind of Ideology in China 71
- The Emperors Have Rotted Long Ago, Only the Fragrance of Nanmu Wood Remains 79
- People’s ‘Writing’ 87
- The Dismantling and Re-Construction of Bentu (‘This Land’ or ‘Native Land’): Contemporary Chinese Art in the Post-colonial Context 103
- Gu Dexin: A Double Take 121
- Art in Its Regional Political Context: Exhibition and Criticism 131
- Two Histories of Art: What Arts Represent China? 143
- Pingyao and Lianzhou: Changes in the Situation of Contemporary Chinese Photography 153
- Evolution of Conceptual Photography and Its Position in the History of New Art 163
- How Much Space of Exchange is there on the Internet in Relation to Contemporary Art? 179
- The Paradox of the Individual and the Collective: 189
- Can That Be? Why Can’t It Be? 199
- Art That Has Encountered Changes 211
- Authors 223
Kapitel in diesem Buch
- Frontmatter 1
- Content 5
- Preface 7
- Ink Painting in the Age of New Wave 17
- The Sound of One Hand: Between Meaning and No-Meaning 29
- The Essential Meaning of Chinese Calligraphy and Its Loss 45
- Literati Painting: Reflections Across Discontinuities 59
- Realism is a Kind of Ideology in China 71
- The Emperors Have Rotted Long Ago, Only the Fragrance of Nanmu Wood Remains 79
- People’s ‘Writing’ 87
- The Dismantling and Re-Construction of Bentu (‘This Land’ or ‘Native Land’): Contemporary Chinese Art in the Post-colonial Context 103
- Gu Dexin: A Double Take 121
- Art in Its Regional Political Context: Exhibition and Criticism 131
- Two Histories of Art: What Arts Represent China? 143
- Pingyao and Lianzhou: Changes in the Situation of Contemporary Chinese Photography 153
- Evolution of Conceptual Photography and Its Position in the History of New Art 163
- How Much Space of Exchange is there on the Internet in Relation to Contemporary Art? 179
- The Paradox of the Individual and the Collective: 189
- Can That Be? Why Can’t It Be? 199
- Art That Has Encountered Changes 211
- Authors 223
