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Semiospheric translation types reconsidered from the translation semiotics perspective

  • Hongwei Jia EMAIL logo
Veröffentlicht/Copyright: 4. Oktober 2019
Semiotica
Aus der Zeitschrift Semiotica Band 2019 Heft 231

Abstract

Due to the logical problems of unclear boundaries, staggered parallels, disordered standard, etc., existing in Jakobson’s intralingual, interlingual, and intersemiotic translations, the first triadic division of translation in terms of semiotics has been criticized since the 1980s. However, most of the previous semiotic research in China and the world at large still stays on the interlingual translation (in the narrow sense) of literary texts, neglecting semiotic transformations as a sign activity and semiosis between tangible signs and intangible ones in the same and/or different period(s) of time, within the same ethnic culture or across the distinctive ethnic cultures. Hereby, it is necessary to refer to and redefine the term “semiosphere” introduced by Yuri Lotman in 1984 and the literatures after, to revise intrasemiospheric translation, intersemiospheric translation, and suprasemiospheric translation introduced in Jia(2016b. A translation-semiotic perspective of Jakobson’s tripartite of translation. Journal of PLA University of Foreign Languages 5. 11–18; Jia 2017. Roman Jakobson’s triadic division of translation revisited. Chinese Semiotics Studies 13(1). 31–46), and to elaborate on their nature, structure, content, and connotative significance. This is not only conducive to building translation semiotics as a subfield of general semiotics, but also to broadening the theoretical visions of applied semiotics and translation studies, and verifying the theoretical validity of general semiotics and translation semiotics in interpreting and explaining the semiotic transformations in translation as a special sign activity.

Keywords: semiospheric translation types; intrasemiospheric translation; intersemiospheric translation; suprasemiospheric translation; problems and analysis

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Supplementary Material

The online version of this article offers supplementary material (DOI:https://doi.org/10.1515/sem-2017-0151).

Published Online: 2019-10-04
Published in Print: 2019-11-26

© 2019 Walter de Gruyter GmbH, Berlin/Boston

Artikel in diesem Heft

  1. Frontmatter
  3. Ejecting protestors, interpellating supporters: The interactional pragmatics of expulsion at Trump’s campaign rallies
  4. What is political semiotics and why does it matter? A reply to Janar Mihkelsaar
  5. Iconic processes and intermediality in the photobooks Silent Book and Sí por Cuba
  6. From shipwreck to constellation: Rethinking Meillassoux on Mallarmé from a semiotic perspective
  7. Umberto Eco’s semiotics of the text: Theoretical observations and an analysis of the parable of the banquet
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  9. Semiospheric translation types reconsidered from the translation semiotics perspective
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https://doi.org/10.1515/sem-2017-0151
Schlagwörter für diesen Artikel
semiospheric translation types; intrasemiospheric translation; intersemiospheric translation; suprasemiospheric translation; problems and analysis

Artikel in diesem Heft

  1. Frontmatter
  3. Ejecting protestors, interpellating supporters: The interactional pragmatics of expulsion at Trump’s campaign rallies
  4. What is political semiotics and why does it matter? A reply to Janar Mihkelsaar
  5. Iconic processes and intermediality in the photobooks Silent Book and Sí por Cuba
  6. From shipwreck to constellation: Rethinking Meillassoux on Mallarmé from a semiotic perspective
  7. Umberto Eco’s semiotics of the text: Theoretical observations and an analysis of the parable of the banquet
  8. The search for the imperfect language
  9. Semiospheric translation types reconsidered from the translation semiotics perspective
  10. Voicing control: A child resource for “growing a head taller”
  11. Kenneth Waltz talks through Mark Rothko: Visual metaphors in the discipline of International Relations Theory
  12. The cultural transformation of the proprioceptive senses
  13. On the embodied meaning of emotional responses to music: A semiotic perspective
  14. Asemic typography in kinetic design
  15. Topological and networked visibility: Politics of seeing in the digital age
  16. A semiosic translation of Paul Celan’s Schwarze Flocken and Weggebeizt
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