The Paradox of Fiction – A Brief Introduction into Recent Developments, Open Questions, and Current Areas of Research, including a Comprehensive Bibliography from 1975 to 2018

Eva-Maria Konrad; Thomas Petraschka; Christiana Werner

doi:10.1515/jlt-2018-0011

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The Paradox of Fiction – A Brief Introduction into Recent Developments, Open Questions, and Current Areas of Research, including a Comprehensive Bibliography from 1975 to 2018

Eva-Maria Konrad , Thomas Petraschka und Christiana Werner

Veröffentlicht/Copyright: 11. September 2018

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Aus der Zeitschrift Journal of Literary Theory Band 12 Heft 2

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APA
Harvard
Chicago
Vancouver

Konrad, Eva-Maria, Petraschka, Thomas and Werner, Christiana. "The Paradox of Fiction – A Brief Introduction into Recent Developments, Open Questions, and Current Areas of Research, including a Comprehensive Bibliography from 1975 to 2018" Journal of Literary Theory, vol. 12, no. 2, 2018, pp. 193-203. https://doi.org/10.1515/jlt-2018-0011

Konrad, E., Petraschka, T. & Werner, C. (2018). The Paradox of Fiction – A Brief Introduction into Recent Developments, Open Questions, and Current Areas of Research, including a Comprehensive Bibliography from 1975 to 2018. Journal of Literary Theory, 12(2), 193-203. https://doi.org/10.1515/jlt-2018-0011

Konrad, E., Petraschka, T. and Werner, C. (2018) The Paradox of Fiction – A Brief Introduction into Recent Developments, Open Questions, and Current Areas of Research, including a Comprehensive Bibliography from 1975 to 2018. Journal of Literary Theory, Vol. 12 (Issue 2), pp. 193-203. https://doi.org/10.1515/jlt-2018-0011

Konrad, Eva-Maria, Petraschka, Thomas and Werner, Christiana. "The Paradox of Fiction – A Brief Introduction into Recent Developments, Open Questions, and Current Areas of Research, including a Comprehensive Bibliography from 1975 to 2018" Journal of Literary Theory 12, no. 2 (2018): 193-203. https://doi.org/10.1515/jlt-2018-0011

Konrad E, Petraschka T, Werner C. The Paradox of Fiction – A Brief Introduction into Recent Developments, Open Questions, and Current Areas of Research, including a Comprehensive Bibliography from 1975 to 2018. Journal of Literary Theory. 2018;12(2): 193-203. https://doi.org/10.1515/jlt-2018-0011

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Published Online: 2018-09-11

Published in Print: 2018-09-03

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Artikel in diesem Heft

Titelseiten
The Paradox of Fiction – A Brief Introduction into Recent Developments, Open Questions, and Current Areas of Research, including a Comprehensive Bibliography from 1975 to 2018
Emotion in the Appreciation of Fiction
Empathy – Real-Life and Fiction-Based
Desires and Fiction
Von den Lesewelten zur Lebenswelt. Überlegungen zu der Frage, warum uns fiktionale Literatur berührt
How Can We Be Moved to Shoot Zombies? A Paradox of Fictional Emotions and Actions in Interactive Fiction
In the Mood for Paradox? Das Verhältnis von Fiktion, Stimmung und Welterschließung aus mentalistischer und phänomenologischer Perspektive
Emotion, Darstellung, Fiktion. Literaturtheoretische Überlegungen zum Verhältnis zwischen Fiktionsparadox und Mimesisparadox
Articles
Why Does Frank Underwood Look at Us? Contemporary Heroes Suggest the Need of a Turn in the Conceptualization of Fictional Empathy

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https://doi.org/10.1515/jlt-2018-0011

Artikel in diesem Heft

Titelseiten
The Paradox of Fiction – A Brief Introduction into Recent Developments, Open Questions, and Current Areas of Research, including a Comprehensive Bibliography from 1975 to 2018
Emotion in the Appreciation of Fiction
Empathy – Real-Life and Fiction-Based
Desires and Fiction
Von den Lesewelten zur Lebenswelt. Überlegungen zu der Frage, warum uns fiktionale Literatur berührt
How Can We Be Moved to Shoot Zombies? A Paradox of Fictional Emotions and Actions in Interactive Fiction
In the Mood for Paradox? Das Verhältnis von Fiktion, Stimmung und Welterschließung aus mentalistischer und phänomenologischer Perspektive
Emotion, Darstellung, Fiktion. Literaturtheoretische Überlegungen zum Verhältnis zwischen Fiktionsparadox und Mimesisparadox
Articles
Why Does Frank Underwood Look at Us? Contemporary Heroes Suggest the Need of a Turn in the Conceptualization of Fictional Empathy