Startseite When Translation Reshapes Reception: The Curious Case of Zeruya Shalev in the German Literary Sphere of World Literature
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When Translation Reshapes Reception: The Curious Case of Zeruya Shalev in the German Literary Sphere of World Literature

  • Tom Kellner
Veröffentlicht/Copyright: 19. November 2022
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Aus der Zeitschrift arcadia Band 57 Heft 2

Abstract

This article sets out to explore the conditions that paved the way for the unique success of the German translation of Zeruya Shalev’s second novel, Love Life (Hayei ahava, 1997), offering a specific example of the potential benefits that arise from cross-cultural translations. Upon its publication in Israel, Love Life was received quite critically; it was considered too simplistic, straightforward, and feminine to be considered an ‘important’ work. However, following the novel’s translation into German by Mirjam Pressler in 2000, it gained wide recognition in Germany and soon became a best-seller, owing much to Marcel Reich-Ranicki’s unusually warm review on the television program Das literarische Quartett (The Literary Quartet). Hence, this article examines the various cultural and commercial conditions that set the backdrop for Love Life’s success as a translated work. While focusing on the reception of a specific literary text, the article surveys both Israeli and German literary spheres, and draws on the contemporary discourse in the field of World Literature. Furthermore, it offers a comprehensive discussion on translation, and demonstrates the unique position of translated literature, and specifically Hebrew literature, in the German literary field. Subsequently, the discussion sheds light not only on the circumstances that supported, if not determined, Love Life’s enthusiastic reception in Germany, but also on the extraordinary effect of this success on Shalev’s position within the Israeli literary system in the two decades that have followed.

Keywords: Zeruya Shalev; Marcel Reich-Ranicki; translation; world literature; Hebrew literature

Note

This work was supported by the Fritz Thyssen Foundation (grant number 40.20.0.022SL).

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Published Online: 2022-11-19
Published in Print: 2022-11-03

© 2022 Walter de Gruyter GmbH, Berlin/Boston

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  2. Frontmatter
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  8. An Aesthete in Despair: Reading Lolita through Kierkegaard’s Aesthetic Sphere of Existence
  9. When Translation Reshapes Reception: The Curious Case of Zeruya Shalev in the German Literary Sphere of World Literature
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https://doi.org/10.1515/arcadia-2022-9055
Schlagwörter für diesen Artikel
Zeruya Shalev; Marcel Reich-Ranicki; translation; world literature; Hebrew literature

Artikel in diesem Heft

  1. Frontmatter
  2. Frontmatter
  3. Contributions
  4. Eigentum und Metapher: Überlegungen zu Franz Kafkas „Der Bau“
  5. Beyond Thought’s Limits: Celan, Heidegger, and the Crooked Path of Art
  6. Szene im Kirschgarten: Zu einem Gedicht von Paul Celan, mit einem methodologischen Exkurs
  7. Doktor Faustus and its Variations on Lateness
  8. An Aesthete in Despair: Reading Lolita through Kierkegaard’s Aesthetic Sphere of Existence
  9. When Translation Reshapes Reception: The Curious Case of Zeruya Shalev in the German Literary Sphere of World Literature
  10. Reviews
  11. Marc Redfield: Shibboleth. Judges, Derrida, Celan. New York, NJ: Fordham UP, 2020. 176 S.
  12. Dominik Finkelde: Logiken der Inexistenz: Figurationen des Realen im Zeitalter der Immanenz. Deutsche Erstausgabe. Wien: Passagen Verlag, 2019. 170 pp.
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