Kapitel
Open Access
Digital Landscapes
The Meta-Picturesque Qualities of Kurt d’Haeseleer’s Audiovisual Sceneries
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Nele Wynants
Kapitel in diesem Buch
- Frontmatter 1
- Contents 5
- Introduction 9
- Theatre Between Performance and Installation 17
- The Fourth Wall, or the Rift Between Citizen and Government 31
- Using Recorded Images for Political Purposes 43
- A Campsite for the Avant-Garde and a Church in Cyberspace 57
- Echoes from the Animist Past 77
- Folding Mutants or Crumbling Hybrids? 90
- Making UNMAKEABLELOVE 102
- Witness Protection? Surveillance Technologies in Theatrical Performance 121
- The Work of Art in the Age of Its Intermedial Reproduction 144
- Rimini Protokoll’s Theatricalization of Reality 153
- Digital Landscapes 161
- The Productivity of the Prototype 178
- The Theatre of Recorded Sound and Film 196
- Doubled Bodies and Live Loops 221
- Between Solitaire and a Basketball Game 238
- Index of Subjects 249
- Index of Names 256
Kapitel in diesem Buch
- Frontmatter 1
- Contents 5
- Introduction 9
- Theatre Between Performance and Installation 17
- The Fourth Wall, or the Rift Between Citizen and Government 31
- Using Recorded Images for Political Purposes 43
- A Campsite for the Avant-Garde and a Church in Cyberspace 57
- Echoes from the Animist Past 77
- Folding Mutants or Crumbling Hybrids? 90
- Making UNMAKEABLELOVE 102
- Witness Protection? Surveillance Technologies in Theatrical Performance 121
- The Work of Art in the Age of Its Intermedial Reproduction 144
- Rimini Protokoll’s Theatricalization of Reality 153
- Digital Landscapes 161
- The Productivity of the Prototype 178
- The Theatre of Recorded Sound and Film 196
- Doubled Bodies and Live Loops 221
- Between Solitaire and a Basketball Game 238
- Index of Subjects 249
- Index of Names 256
