Using Recorded Images for Political Purposes

Kapitel in diesem Buch

1. Frontmatter 1
2. Contents 5
3. Introduction 9
4. Theatre Between Performance and Installation 17
5. The Fourth Wall, or the Rift Between Citizen and Government 31
6. Using Recorded Images for Political Purposes 43
7. A Campsite for the Avant-Garde and a Church in Cyberspace 57
8. Echoes from the Animist Past 77
9. Folding Mutants or Crumbling Hybrids? 90
10. Making UNMAKEABLELOVE 102
11. Witness Protection? Surveillance Technologies in Theatrical Performance 121
12. The Work of Art in the Age of Its Intermedial Reproduction 144
13. Rimini Protokoll’s Theatricalization of Reality 153
14. Digital Landscapes 161
15. The Productivity of the Prototype 178
16. The Theatre of Recorded Sound and Film 196
17. Doubled Bodies and Live Loops 221
18. Between Solitaire and a Basketball Game 238
19. Index of Subjects 249
20. Index of Names 256