Startseite Altertumswissenschaften & Ägyptologie The Voice of the Shuttle: The Tereus Myth in Aristophanes’ Birds
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The Voice of the Shuttle: The Tereus Myth in Aristophanes’ Birds

  • Stephanie A. Nelson

    Stephanie A. Nelson is Professor in the Department of Classical Studies and in the Core Curriculum at Boston University. She teaches widely in Greek and Latin literature and the Classical tradition and has written on subjects from Plato and aesthetic theory to translation and literary reception. She is the author of monographs on Hesiod and Aristophanes as well as Time and Identity in Ulysses and the Odyssey, published by the University Press of Florida. Amid other projects she is currently working on an edited volume for Brill entitled Time and Measure.

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Tereus Through the Ages
Ein Kapitel aus dem Buch Tereus Through the Ages

Abstract

Building on an analysis of Sophocles’ Tereus, this chapter reassesses the reception of this work in Aristophanes’ Birds, emphasising the importance of this tragic association in the economy of the play. By looking at the relation between Aristophanes’ play and its ambience, sensorially, temporally and politically, the author uncovers a subtle network of references to Sophocles’ dark tale, casting a shadow even on the more cheerful passages of the play. This approach allows us to move beyond traditional interpretations that see the Birds as either non-political or simply a political statement, whether pro- or anti-Sicilian Expedition. The emphasis here is on the theme of predation that pervades the aural and visual references to the Tereus myth, both in the traditional connection between rape and political overthrow and in the comedy’s unusual take on sexuality.

Abstract

Building on an analysis of Sophocles’ Tereus, this chapter reassesses the reception of this work in Aristophanes’ Birds, emphasising the importance of this tragic association in the economy of the play. By looking at the relation between Aristophanes’ play and its ambience, sensorially, temporally and politically, the author uncovers a subtle network of references to Sophocles’ dark tale, casting a shadow even on the more cheerful passages of the play. This approach allows us to move beyond traditional interpretations that see the Birds as either non-political or simply a political statement, whether pro- or anti-Sicilian Expedition. The emphasis here is on the theme of predation that pervades the aural and visual references to the Tereus myth, both in the traditional connection between rape and political overthrow and in the comedy’s unusual take on sexuality.

Heruntergeladen am 28.12.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9783110728804-008/html
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