Startseite Altertumswissenschaften & Ägyptologie Lamenting about the Wrong Crime: Homer, Sophocles and Demonising the Other
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Lamenting about the Wrong Crime: Homer, Sophocles and Demonising the Other

  • George A. Gazis

    George A. Gazis is Associate Professor in Greek Literature and Philosophy at the Department of Classics and Ancient History, Durham University. His main research interests lie in Archaic Greek Epic and Lyric in general, Plato and the Early Academy, as well as Athenian drama. He is the author of Homer and the Poetics of Hades (OUP, 2018), and the editor of the volumes Aspects of Death and the Afterlife in Greek Literature (LUP, 2021), and Homer in Sicily (Parnassos Press, 2023) while he is currently preparing an edition, translation and commentary of the pseudo-epigraphic Letters of Euripides with Dr A. Giannotti for Aris & Phillips Classical Texts, while at the same time he is working on his second monograph Ghosts on Stage: Spectres, Spectacles and Alternative Memories in Athenian Drama.

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Tereus Through the Ages
Ein Kapitel aus dem Buch Tereus Through the Ages

Abstract

This chapter unpacks the geographical associations of the Tereus myth with the barbarian “other”. This contribution explores how the Aedon myth narrated by Homer was adapted from an aetia for the nightingale to a narrative including Tereus as a barbarian king. The paper charts the migration of the myth to Thrace and Daulis to examine how the myth was reimagined by Sophocles and referenced by Plutarch as a cultural aphorism for the otherness of the East. Whilst other contributions focus on adaptations of the myth in different traditions, the author uncovers how the myth was associated in different regions as a means of further characterising Tereus as an antagonist within the rape episode.

Abstract

This chapter unpacks the geographical associations of the Tereus myth with the barbarian “other”. This contribution explores how the Aedon myth narrated by Homer was adapted from an aetia for the nightingale to a narrative including Tereus as a barbarian king. The paper charts the migration of the myth to Thrace and Daulis to examine how the myth was reimagined by Sophocles and referenced by Plutarch as a cultural aphorism for the otherness of the East. Whilst other contributions focus on adaptations of the myth in different traditions, the author uncovers how the myth was associated in different regions as a means of further characterising Tereus as an antagonist within the rape episode.

Heruntergeladen am 28.12.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9783110728804-003/html
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