7 A Lost White Girl of Pop: Writing the Drive to Fantasise in Daddy (1973)

Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. List of Figures/Illustrations vii
4. Note on Contributors ix
5. Introduction: Towards a Pop Cinema 1
6. Part 1 Framing Pop Cinema
7. 1. Notes on Pop Cinema, Revisited 21
8. 2 Pop and Cinema: Three Tendencies 38
9. Part 2 Pop Cinema’s Parameters
10. 3. Times Square as Pop Readymade: William Klein’s Broadway by Light (1958) 55
11. 4 Arocha’s Black and White Pop: History, Desire and Politics in 1960s Colombia in Las ventanas de Salcedo (1966) 78
12. 5 Psychedelic Agit-Pop: The Animated Films of Tadanori Yokoo 94
13. 6 Some Like It Pop: Replication and Repetition in Bruce Conner’s MARILYN TIMES FIVE (1968–73) 115
14. 7 A Lost White Girl of Pop: Writing the Drive to Fantasise in Daddy (1973) 137
15. Part 3 Pop Cinema, Mass Production and the Politics of Consumption
16. 8. Always Crashing in the Same Car 161
17. 9 Wynn Chamberlain’s Brand X (1970) and the Politics of the Generic 182
18. 10 The Other Children of Marx and Coca-Cola: Pop Cinema in Eastern Europe 201
19. 11 ‘Mouthpiece of the Dictatorship’: Television and the Domestic Sphere in Brazilian Women’s ‘Pop Cinema’, 1972–77 217
20. 12 ‘Manhandle the Merchandise’: Michael Snow’s Breakfast (Table Top Dolly) (1976) 238
21. Appendix: A Pop Cinema Filmography 257
22. Index 264