3. ‘STILLS’ AND FRAGMENTED FAMILIES: CONTEMPLATING THE PRIVATE SPHERE IN JOACHIM LAFOSSE’S WALLONIA

Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. FIGURES vii
4. ACKNOWLEDGEMENTS ix
5. TRADITIONS IN WORLD CINEMA x
6. INTRODUCTION: REGIONAL/NATIONAL/ TRANSNATIONAL DEBATES IN FRANCOPHONE BELGIAN CINEMA 1
7. 1. THE (FRANCOPHONE) BELGIAN FILM ECOSYSTEM: TRENDS IN PRODUCTION, DISTRIBUTION AND EXHIBITION 26
8. 2. ‘NO FUTURE’: SOCIAL MARGINALISATION, SOCIAL PRECARIOUSNESS AND DEPICTIONS OF SERAING IN LE GAMIN AU VÉLO (JEANPIERRE AND LUC DARDENNE, 2011) AND DEUX JOURS, UNE NUIT (JEAN-PIERRE AND LUC DARDENNE, 2014) 51
9. 3. ‘STILLS’ AND FRAGMENTED FAMILIES: CONTEMPLATING THE PRIVATE SPHERE IN JOACHIM LAFOSSE’S WALLONIA 82
10. 4. FROM SLAG HEAPS TO CLIFFS: THE ‘MARKED’ REGIONAL LANDSCAPE IN CAGES (OLIVIER MASSET-DEPASSE, 2006) 105
11. 5. THE FRANCOPHONE BELGIAN ROAD MOVIE: ELDORADO (BOULI LANNERS, 2008) AND ULTRANOVA (BOULI LANNERS, 2005) 130
12. 6. LUCAS BELVAUX’S RETURN: THE THRILLER GENRE AND HEISTS IN LIÈGE 155
13. CONCLUSION 178
14. WORKS CITED 186
15. FILMS CITED 207
16. INDEX 213