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Consuming Russia
Popular Culture, Sex, and Society since Gorbachev
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Herausgegeben von:
Adele Marie Barker
Sprache:
Englisch
Veröffentlicht/Copyright:
1999
Über dieses Buch
With the collapse of the Soviet empire in the late 1980s, the Russian social landscape has undergone its most dramatic changes since the Bolshevik Revolution in 1917, turning the once bland and monolithic state-run marketplace into a virtual maze of specialty shops—from sushi bars to discotheques and tattoo parlors. In Consuming Russia editor Adele Marie Barker presents the first book-length volume to explore the sweeping cultural transformation taking place in the new Russia.
The contributors examine how the people of Russia reconcile prerevolutionary elite culture—as well as the communist legacy—with the influx of popular influences from the West to build a society that no longer relies on a single dominant discourse and embraces the multiplicities of both public and private Russian life. Barker brings together Russian and American scholars from anthropology, history, literature, political science, sociology, and cultural studies. These experts fuse theoretical analysis with ethnographic research to analyze the rise of popular culture, covering topics as varied as post-Soviet rave culture, rock music, children and advertising, pyramid schemes, tattooing, pets, and spectator sports. They consider detective novels, anecdotes, issues of feminism and queer sexuality, nostalgia, the Russian cinema, and graffiti. Discussions of pornography, religious cults, and the deployment of Soviet ideological symbols as post-Soviet kitsch also help to demonstrate how the rebuilding of Russia’s political and economic infrastructure has been influenced by its citizens’ cultural production and consumption.
This volume will appeal to those engaged with post-Soviet studies, to anyone interested in the state of Russian society, and to readers more generally involved with the study of popular culture.
Contributors. Adele Marie Barker, Eliot Borenstein, Svetlana Boym, John Bushnell, Nancy Condee, Robert Edelman, Laurie Essig, Julia P. Friedman, Paul W. Goldschmidt, Judith Deutsch Kornblatt, Anna Krylova, Susan Larsen, Catharine Theimer Nepomnyaschy, Theresa Sabonis-Chafee, Tim Scholl, Adam Weiner, Alexei Yurchak, Elizabeth Kristofovich Zelensky
The contributors examine how the people of Russia reconcile prerevolutionary elite culture—as well as the communist legacy—with the influx of popular influences from the West to build a society that no longer relies on a single dominant discourse and embraces the multiplicities of both public and private Russian life. Barker brings together Russian and American scholars from anthropology, history, literature, political science, sociology, and cultural studies. These experts fuse theoretical analysis with ethnographic research to analyze the rise of popular culture, covering topics as varied as post-Soviet rave culture, rock music, children and advertising, pyramid schemes, tattooing, pets, and spectator sports. They consider detective novels, anecdotes, issues of feminism and queer sexuality, nostalgia, the Russian cinema, and graffiti. Discussions of pornography, religious cults, and the deployment of Soviet ideological symbols as post-Soviet kitsch also help to demonstrate how the rebuilding of Russia’s political and economic infrastructure has been influenced by its citizens’ cultural production and consumption.
This volume will appeal to those engaged with post-Soviet studies, to anyone interested in the state of Russian society, and to readers more generally involved with the study of popular culture.
Contributors. Adele Marie Barker, Eliot Borenstein, Svetlana Boym, John Bushnell, Nancy Condee, Robert Edelman, Laurie Essig, Julia P. Friedman, Paul W. Goldschmidt, Judith Deutsch Kornblatt, Anna Krylova, Susan Larsen, Catharine Theimer Nepomnyaschy, Theresa Sabonis-Chafee, Tim Scholl, Adam Weiner, Alexei Yurchak, Elizabeth Kristofovich Zelensky
Information zu Autoren / Herausgebern
Adele Marie Barker is Associate Professor of Russian and Comparative Cultural and Literary Studies at the University of Arizona. She is the author of The Mother Syndrome in the Russian Folk Imagination and coeditor of Dialogues/Dialogi: Literary and Cultural Exchanges between (Ex)Soviet and American Women, also published by Duke University Press.
Rezensionen
“An invaluable key to reading the cultural salad of today’s Russia, useful to students as well as to their teachers. Barbie dolls, detective fiction, raves and the gay scene, tattoos and graffiti, even an Argentine soap opera that advertises a pyramid scheme: Consuming Russia is great as a classroom text and as a guidebook to the changing face of popular culture.”—James von Geldern, Macalester College
“This volume on post-Soviet Russian culture is noteworthy for its range and critical edge. The authors comment on the impact of Western productions and practices, as well as the reformulation of longstanding Russian traditions. Adele Barker is to be congratulated. From rock and sport to film and popular literature, here is a cook’s tour of the sad, curious, and sometimes marvelous carnival of post-Soviet public expression.”—Jeffrey Brooks, Johns Hopkins University
Fachgebiete
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vii |
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ix |
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xi |
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Part I. INTRODUCTION
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Adele Barker Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
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Adele Barker Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
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Part II. POPULAR CULTURE
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Eliot Borenstein Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
49 |
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Alexei Yurchak Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
76 |
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Julia Friedman und Adam Weiner Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
110 |
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Elizabeth Zelensky Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
138 |
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Catharine Nepomnyashchy Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
161 |
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Susan Larsen Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
192 |
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Robert Edelman Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
217 |
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Anna Krylova Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
243 |
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Adele Barker Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
266 |
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Part III. SEXUALITIES
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Laurie Essig Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
281 |
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Tim Scholl Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
303 |
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Paul Goldschmidt Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
318 |
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Part IV. SOCIETY AND SOCIAL ARTIFACTS
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Nancy Condee Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
339 |
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Theresa Chafee Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
362 |
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Svetlana Boym Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
383 |
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John Bushnell Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
397 |
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Judith Kornblatt Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
414 |
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Eliot Borenstein Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
437 |
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Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
463 |
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467 |
Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
1. Juli 1999
eBook ISBN:
9780822396413
Seiten und Bilder/Illustrationen im Buch
Inhalt:
488
Weitere:
42 b&w photographs
eBook ISBN:
9780822396413
Zielgruppe(n) für dieses Buch
Professional and scholarly;