Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. List of Illustrations ix
4. Acknowledgments xi
5. Part I. INTRODUCTION
6. 1. Rereading Russia 3
7. 2. The Culture Factory: Theorizing the Popular in the Old and New Russia 12
8. Part II. POPULAR CULTURE
9. 3. Public Offerings: MMM and the Marketing of Melodrama 49
10. 4. Gagarin and the Rave Kids: Transforming Power, Identity, and Aesthetics in Post-Soviet Nightlife 76
11. 5. Between a Rock and a Hard Place: Holy Rus' and Its Alternatives in Russian Rock Music 110
12. 6. Popular Children's Culture in Post-Perestroika Russia: Songs of Innocence and Experience Revisited 138
13. 7. Markets, Mirrors, and Mayhem: Aleksandra Marinina and the Rise of the New Russian Detektiv 161
14. 8. In Search of an Audience: The New Russian Cinema of Reconciliation 192
15. 9. There Are no Rules on Planet Russia: Post-Soviet Spectator Sport 217
16. 10. Saying "Lenin" and Meaning "Party": Subversion and Laughter in Soviet and Post-Soviet Society 243
17. 11. Going to the Dogs: Pet Life in the New Russia 266
18. Part III. SEXUALITIES
19. 12. Publicly Queer: Representations of Queer Subjects and Subjectivities in the Absence ofIdentity 281
20. 13. Queer Performance: "Male" Ballet 303
21. 14. Pornography in Russia 318
22. Part IV. SOCIETY AND SOCIAL ARTIFACTS
23. 15. Body Graphics: Tattooing the Fall of Communism 339
24. 16. Communism as Kitsch: Soviet Symbols in Post-Soviet Society 362
25. 17. From the Toilet to the Museum: Memory and Metamorphosis of Soviet Trash 383
26. 18. Paranoid Graffiti at Execution Wall: Nationalist Interpretations of Russia's Travail 397
27. 19. "Christianity, Antisemitism, Nationalism": Russian Orthodoxy in a Reborn Orthodox Russia 414
28. 20. Suspending Disbelief: "Cults" and Postmodernism in Post-Soviet Russia 437
29. Contributors 463
30. Index 467