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The Universal Machine
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Fred Moten
Sprache:
Englisch
Veröffentlicht/Copyright:
2018
Über dieses Buch
In the concluding volume to his landmark trilogy consent not to be a single being Fred Moten uses the work of Emmanuel Levinas, Hannah Arendt, and Franz Fanon to explore the relationship between blackness and phenomenology, theorizing blackness as a way of being in the world that evades regulation.
Information zu Autoren / Herausgebern
Fred Moten is Professor of Performance Studies at New York University and the author of Black and Blur and Stolen Life, both also published by Duke University Press, and In the Break: The Aesthetics of the Black Radical Tradition.
Rezensionen
"It's this spirit of the collective effort of study and exchange and resonance, the effort to keep the channels open and keep listening, that has made Moten (or, maybe, 'Moten/s') such a celebrated thinker. At the end of sentences like these, you want to say something like Amen."
-- Jess Row Bookforum
"At a time when both theory and criticism are frequently and convincingly attacked as exhausted forms, Moten’s trilogy has reinvented both. . . . In its mixture of theoretical complexity and disarming directness, Moten’s beautifully written trilogy offers the sheer pleasure of art."
-- Lidija Haas Vulture
"2018 must go down for me as the year of Fred Moten’s trilogy: Black and Blur, Stolen Life, and The Universal Machine. You could say they’re essays about art, philosophy, blackness, and the refusal of social death, but I think of them more as a fractal universe forever inviting immersion and exploration, a living force now inhabiting my bookshelf."
-- Maggie Nelson Bookforum
"My favorite book(s) of 2018 are the three volumes of Fred Moten’s consent not to be a single being, individually titled Black and Blur, Stolen Life, and The Universal Machine. In this collection of essays stretching back fifteen years, Moten challenges the reader to imagine a radically interconnected aesthetic and political sphere that stretches from Glenn Gould to Fanon to Kant to Theaster Gates, sometimes in the space of a single sentence. This trilogy is one of the great intellectual adventures of our era."
-- Jess Row Bookforum
"consent not to be a single being, titled after a phrase of Édouard Glissant’s, ranges across an impressive number of disciplines: black studies, performance studies, aesthetics, phenomenology, ontology, ethnomusicology, jazz history, comparative literature, critical theory, etc. Without announcing its intervention as interdisciplinary–Moten deftly renders discipline beside the point. . . . Taken together, the series amounts to a powerful argument for black study—as an analytic, an impetus, a mode, the collective shout from a radical vista, whose bellow requires nothing less than 'passionate response' (Moten 2003)."
-- Mimi Howard boundary 2
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Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
26. Juli 2018
eBook ISBN:
9780822371977
Seiten und Bilder/Illustrationen im Buch
Inhalt:
320
eBook ISBN:
9780822371977
Zielgruppe(n) für dieses Buch
Professional and scholarly;
