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        Introduction
- 
            
            
        Mark Bernard
        
                                    
                                    Sie haben derzeit keinen Zugang zu diesem Inhalt.
                                
                                
                                
                                                
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                                            Kapitel in diesem Buch
- Frontmatter i
- Contents v
- figures vii
- Acknowledgements ix
- Introduction 1
- 
                            Part I: The Industrial Context of the Splat Pack
- 1. Introducing the Splat Pack 13
- 2. Politics and the horror film: an industry studies intervention 27
- 3. The DVD revolution and the horror film, take one: from trash to art to collectable 48
- 4. The DVD revolution and the horror film, take two: rise of the ‘Unrated’ 70
- 
                            Part II: The Splat Pack on DVD
- 5. Text, subtext and the story of the film: Eli Roth’s Hostel and Hostel: Part II on DVD 97
- 6. The ‘white trash’ world of Rob Zombie: class, collecting and slumming spectators 119
- 7. Seriality, subjectivity and new media: consuming the Saw series 142
- 8. Scars, both material and cyber: Haute Tension and The Descent on DVD 165
- Afterword 188
- Bibliography 199
- Filmography 206
- DVD supplemental material referenced 208
- Index 210
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- figures vii
- Acknowledgements ix
- Introduction 1
- 
                            Part I: The Industrial Context of the Splat Pack
- 1. Introducing the Splat Pack 13
- 2. Politics and the horror film: an industry studies intervention 27
- 3. The DVD revolution and the horror film, take one: from trash to art to collectable 48
- 4. The DVD revolution and the horror film, take two: rise of the ‘Unrated’ 70
- 
                            Part II: The Splat Pack on DVD
- 5. Text, subtext and the story of the film: Eli Roth’s Hostel and Hostel: Part II on DVD 97
- 6. The ‘white trash’ world of Rob Zombie: class, collecting and slumming spectators 119
- 7. Seriality, subjectivity and new media: consuming the Saw series 142
- 8. Scars, both material and cyber: Haute Tension and The Descent on DVD 165
- Afterword 188
- Bibliography 199
- Filmography 206
- DVD supplemental material referenced 208
- Index 210