BIBLIOGRAPHY

Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. ACKNOWLEDGEMENTS vi
4. INTRODUCTION: THE KLEENEXES OF POPULAR CULTURE? 1
5. PART I TOWARDS A CRITICAL VOCABULARY
6. 1. SITUATING MUSIC VIDEO: BETWEEN FEMINISM AND POPULAR CULTURE 17
7. 2. GENRE AND MUSIC VIDEO: CONFIGURATIONS AND FUNCTIONS 41
8. 3. MAKING IT REAL: AUTHORSHIP AND AUTHENTICITY 66
9. PART II SEXED, RACED AND GENDERED IDENTITY IN MUSIC VIDEO
10. 4. MUSIC VIDEO IN BLACK AND WHITE: RACE AND FEMININITY 87
11. 5. THAT LATIN(A) LOOK: PERFORMING ETHNICITY 108
12. 6. MASCULINITY AND THE ABSENT PRESENCE OF THE MALE BODY 122
13. AFTERWORD: MUSIC VIDEO GOES GAGA 141
14. BIBLIOGRAPHY 150
15. INDEX 166