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Chapter 4. “A great crisis of identification and understanding of reality”

Strehler’s journey through Shakespeare
  • Lucia Nigri
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Shakespeare and Crisis
Ein Kapitel aus dem Buch Shakespeare and Crisis

Abstract

Shakespeare’s plays proved crucial in Strehler’s career in many respects as they provided ‘narratives’ through which he could interpret the sequence of cultural, political, and social crises that he acknowledged, experienced personally, and more or less directly addressed in his own theatre. This chapter explores how, through specific Shakespearean plays, these crises – which were both individual and collective – raised in Strehler questions on the nature of history. It also explores Strehler’s interrogation of the role of man in a world dominated by monotonous and nonsensical power games from the perspective of a cyclic view of history. Strehler’s encounter with Shakespeare is examined through his own writings as well as reviews and other related material. This constitutes a second-level focus mapping onto the role of different types of narratives in our reconstruction of Strehler’s own dynamic understanding of Italy within the international context over a time-span of thirty years.

Abstract

Shakespeare’s plays proved crucial in Strehler’s career in many respects as they provided ‘narratives’ through which he could interpret the sequence of cultural, political, and social crises that he acknowledged, experienced personally, and more or less directly addressed in his own theatre. This chapter explores how, through specific Shakespearean plays, these crises – which were both individual and collective – raised in Strehler questions on the nature of history. It also explores Strehler’s interrogation of the role of man in a world dominated by monotonous and nonsensical power games from the perspective of a cyclic view of history. Strehler’s encounter with Shakespeare is examined through his own writings as well as reviews and other related material. This constitutes a second-level focus mapping onto the role of different types of narratives in our reconstruction of Strehler’s own dynamic understanding of Italy within the international context over a time-span of thirty years.

Kapitel in diesem Buch

  1. Prelim pages i
  2. Table of contents v
  3. Acknowledgements vii
  4. List of contributors ix
  5. Introduction 1
  6. Part 1. Identity crises
  7. Chapter 1. 1916 25
  8. Chapter 2. Waiting for Caesar 51
  9. Chapter 3. Fascist crises 95
  10. Part 2. Power games and the crisis of history
  11. Chapter 4. “A great crisis of identification and understanding of reality” 149
  12. Chapter 5. Allegorising and minoritising Richard III 175
  13. Part 3. Crises of representation
  14. Chapter 6. Notes on Shakespeare, simulacra, and the aporias of ‘acting’ 215
  15. Chapter 7. Narrating and unravelling Italian crises through Shakespeare (2000–2016) 245
  16. Afterword 277
  17. Index of Names 283
  18. Index of Subjects 291
https://doi.org/10.1075/sec.2.04nig

Kapitel in diesem Buch

  1. Prelim pages i
  2. Table of contents v
  3. Acknowledgements vii
  4. List of contributors ix
  5. Introduction 1
  6. Part 1. Identity crises
  7. Chapter 1. 1916 25
  8. Chapter 2. Waiting for Caesar 51
  9. Chapter 3. Fascist crises 95
  10. Part 2. Power games and the crisis of history
  11. Chapter 4. “A great crisis of identification and understanding of reality” 149
  12. Chapter 5. Allegorising and minoritising Richard III 175
  13. Part 3. Crises of representation
  14. Chapter 6. Notes on Shakespeare, simulacra, and the aporias of ‘acting’ 215
  15. Chapter 7. Narrating and unravelling Italian crises through Shakespeare (2000–2016) 245
  16. Afterword 277
  17. Index of Names 283
  18. Index of Subjects 291
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Heruntergeladen am 29.9.2025 von https://www.degruyterbrill.com/document/doi/10.1075/sec.2.04nig/html
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