Sinica Leidensia

Unlike previous studies that have examined the late Qing utopian imagination as an ahistorical motif, a literary theme, and a translation phenomenon, in this book Shuk Man Leung considers utopian fiction as a knowledge apparatus that helped develop Chinese nationalism and modernity. Based on untapped primary sources in Chinese, English, and Japanese, her research reveals how utopian imagination, blooming after Liang Qichao’s publication of The Future of New China, served as a tool of knowledge formation and dissemination that transformed China’s public sphere and catalysed historical change.

Embracing interdisciplinary approach from genre studies, studies on modern Chinese newspapers and intellectual history, this book provides an analysis of the development of utopian literary practices, epistemic meanings, and fictional narratives and the interactions between traditional and imported knowledge that helped shape the discourse in early 20th century China.

After the strikingly beautiful Peony Pavilion, how could one write about love and the ideal of emotional authenticity (qing) in the chuanqi genre?
This book presents a group of creative dramatists who confronted this challenge by giving the romantic theme of chuanqi their unique comic twists. This book demonstrates how their comic articulations bring the qing ideal down to the mundane world of family obligations, political ambitions, commercial interests, and gender frustrations.
By highlighting the crucial but understudied role that the comic plays, this book enriches our understanding of the intellectual depth and critical scope of the chuanqi genre.

Ritual Learning is a key driver in the cultural dominance of Confucianism. In early China, Confucian officials derive political influence from the sub-discipline of ritual. Imperial regimes establish legitimacy through their state religion, headed by sacrifices to ancestors and to deities of Heaven and Earth. Ritual Learning allows Confucian-educated officials to assert control over these cults, and reshape dynastic legitimacy according to their own design, claimed to derive from the sage kings of antiquity. Confucianism is not just a philosophical and intellectual tradition. Through its ritual expertise, it has cultural and political power, like that of a religion, allowing it to perpetuate itself successfully over time, even in contemporary China.

The first scholarly monograph on Buddhist maṇḍalas in China, this book examines the Maṇḍala of Eight Great Bodhisattvas. This iconographic template, in which a central Buddha is flanked by eight attendants, flourished during the Tibetan (786–848) and post-Tibetan Guiyijun (848–1036) periods at Dunhuang. A rare motif that appears in only four cave shrines at the Mogao and Yulin sites, the maṇḍala bore associations with political authority and received patronage from local rulers. Attending to the historical and cultural contexts surrounding this iconography, this book demonstrates that transcultural communication over the Silk Routes during this period, and the religious dialogue between the Chinese and Tibetan communities, were defining characteristics of the visual language of Buddhist maṇḍalas at Dunhuang.

Eight studies examine key features of Chinese visual and material cultures, ranging from tomb design, metalware, ceramic pillows, and bronze mirrors, to printed illustrations, calligraphic rubbings, colophons, and paintings on Buddhist, landscape, and narrative themes. Questions addressed include how artists and artisans made their works, the ways both popular literature and market forces could shape ways of looking, and how practices and imagery spread across regions. The authors connect visual materials to funeral and religious practices, drama, poetry, literati life, travel, and trade, showing ways visual images and practices reflected, adapted to, and reproduced the culture and society around them. Readers will gain a stronger appreciation of the richness of the visual and material cultures of Middle Period China.

In The Early Dutch Sinologists Koos Kuiper gives a detailed account of the studies and work of the 24 Dutchmen trained as “interpreters” for the Netherlands Indies before 1900. Most began studying at Leiden University, then went to Amoy to study southern Chinese dialects. Their main functions were translating Dutch law into Chinese, advising the courts on Chinese law and checking Chinese accounts books, later also regulating coolie affairs. Actually their services were not always appreciated and there was not enough work for them; later many pursued other careers in the Indies administration or in scholarship. This study also analyses the three dictionaries they compiled. Based on a wealth of primary sources, it gives a fascinating picture of personal cross-cultural contacts.

For centuries, Chinese critics have acclaimed Du Fu (712–770) as “China’s greatest poet.” He has exerted tremendous influence both as a model poet and as a cultural icon. In The Reception of Du Fu (712-770) and His Poetry in Imperial China, Ji Hao provides modern readers with a general picture of the reception of Du Fu and his work from the Song to the Qing. He also explores major shifts in interpretive approaches to Du Fu’s poetry and their poetic and cultural implications.
Through the case of reading Du Fu, the book also offers an in-depth examination of subtleties of the mode of life reading and the concept of transparency. This exploration seeks to provide a new orientation to the significance of the overarching principles of reading poetry in traditional China.

This book represents the first monograph-length study of the relationship between Protestant Bible translation and the development of Mandarin from a lingua franca into the national language of China. Drawing on both published and unpublished sources, this book looks into the translation, publication, circulation and use of the Mandarin Bible in late Qing and Republican China, and sets out how the Mandarin Bible contributed to the standardization and enrichment of Mandarin. It also illustrates that the Mandarin Union Version, published in 1919, was involved in promoting Mandarin as not only the standard medium of communication but also a marker of national identity among the Chinese people, thus playing a role in the nation-building of modern China.

Winner of the 2017 Choice Outstanding Academic Title Award

The Later Han dynasty, also known as Eastern Han, ruled China for the first two centuries of the Christian era. Comparable in extent and power to the early Roman empire, it dominated east Asia from present-day Vietnam to the Mongolian steppe.
Rafe de Crespigny presents here the first full account of this period in Chinese history to be found in a Western language. Commencing with a detailed account of the imperial capital, the history describes the nature of government, the expansion of the Chinese people to the south, the conflicts of scholars and officials with eunuchs at court, and the final collapse which followed the rebellion of the Yellow Turbans and the rise of regional warlords.

In Roaming into the Beyond Zornica Kirkova provides the first detailed study in a Western language of Daoism-inspired themes in early medieval Chinese poetry. She examines representations of Daoist xian immortality in a broad range of versified literature from the Han until the end of the Six Dynasties, focusing on the transformations of themes, concepts, and imagery within a wide literary and religious context. Adopting a more integrated approach, the author explores both the complex interaction between poetry and Daoist religion and the interrelations between various verse forms and poetic themes. This book not only enhances our understanding of the complexities of early medieval literature but also reevaluates the place of Daoist religious thought in the intellectual life of the period.

The matter of saṃgha-state relations is of central importance to both the political and the religious history of China. The volume The Middle Kingdom and the Dharma Wheel brings together, for the first time, articles relating to this field covering a time span from the early Tang until the Qing dynasty. In order to portray also the remarkable thematic diversity of the field, each of the articles not only refers to a different time but also discusses a different aspect of the subject.
Contributors include: Chris Atwood, Chen Jinhua, Max Deeg, Barend ter Haar, Thomas Jülch, Albert Welter and Zhang Dewei.

In Legal Practice in the Formative Stages of the Chinese Empire, Ulrich Lau and Thies Staack offer a richly annotated English translation of the Wei yu deng zhuang si zhong 爲獄等狀四種, a collection of criminal case records from the pre-imperial state of Qin (dating from 246 BC–222 BC) that is part of the manuscripts in the possession of Yuelu Academy. Through an analysis of the collection and a comparison with similar manuscript finds from the Qin and Han periods, the authors shed new light on many aspects of the Qin administration of justice, e.g. criminal investigation, stages of criminal procedure, principles for determining punishment, and interaction of judicial officials on different administrative levels.

Yan Yuan (1635-1704) has long been a controversial figure in the study of Chinese intellectual and cultural history. Although marginalized in his own time largely due to his radical attack on Zhu Xi (1130-1200), Yan was elevated to a great thinker during the early twentieth century because of the drastic changes of the modern Chinese intellectual climate. In Body, Ritual and Identity: A New Interpretation of the Early Qing Confucian Yan Yuan (1635-1704), Yang Jui-sung has demonstrated that the complexity of Yan’s ideas and his hatred for Zhu Xi in particular need to be interpreted in light of his traumatic life experiences, his frustration over the fall of the Ming dynasty, and anxiety caused by the civil service examination system. Moreover, he should be better understood as a cultural critic of the lifestyle of educated elites of late imperial China. By critically analyzing Yan’s changing intellectual status and his criticism that the elite lifestyle was unhealthy and feminine, this new interpretation of Yan Yuan serves to shed new light on our understanding of the features as well as problems of educated elite culture in late imperial China.

Through a detailed analysis of epistolary writing, A Late Sixteenth-Century Chinese Buddhist Fellowship: Spiritual Ambitions, Intellectual Debates, and Epistolary Connections brings to life the Buddhist discourse of a network of lay disciples who debated the value of Chan versus Pure Land, sudden versus gradual enlightenment, adherence to Buddhist precepts, and animal welfare. By highlighting the differences between their mentor, the monk Zhuhong 袾宏 (1535-1615), and his nemesis, the Yangming Confucian Zhou Rudeng 周汝登 (1547-1629), this work confronts long-held scholarly views of Confucian dominance to conclude that many classically educated, elite men found Buddhist practices a far more attractive option. Their intellectual debates, self-cultivation practices, and interpersonal relations helped shape the contours of late sixteenth-century Buddhist culture.

The Spring and Autumn Annals of Master Yan is the biography of the most important statesmen and political thinkers of the Eastern Zhou dynasty China: Yan Ying (d. 500 BCE). Living through an exceptionally troubled period, he served three rulers and two dictators of the state of Qi, in Shandong Province. His experiences informed his revolutionary theories concerning the relationship between the individual and the state.
Long considered to be a forgery, recent archaeological discoveries have proved the Spring and Autumn Annals of Master Yan to be a genuinely ancient text. This book provides not only the first complete translation of the text into any Western language, but a detailed analysis of the context in which it was produced.

Law, State, and Society in Early Imperial China has been accorded Honorable Mention status in the 2017 Patrick D. Hanan Prize (China and Inner Asia Council (CIAC) of the Association for Asian Studies) for Translation competition.

In Law, State, and Society in Early Imperial China, Anthony J. Barbieri-Low and Robin D.S. Yates offer the first detailed study and translation into English of two recently excavated, early Chinese legal texts. The Statutes and Ordinances of the Second Year consists of a selection from the long-lost laws of the early Han dynasty (206 BCE-220 CE). It includes items from twenty-seven statute collections and one ordinance. The Book of Submitted Doubtful Cases contains twenty-two legal case records, some of which have undergone literary embellishment. Taken together, the two texts contain a wealth of information about slavery, social class, ranking, the status of women and children, property, inheritance, currency, finance, labor mobilization, resource extraction, agriculture, market regulation, and administrative geography.

Literary Forms of Argument in Early China explores formal approaches to the study of philosophical texts to present new methods for the analysis of pre-modern thought in China. Attempts made by Chinese thinkers to generate literary forms of philosophical reasoning have gone unrecognised within scholarship in China and the West. Drawing together the expertise of leading scholars of early Chinese textuality, this volume addresses this omission by examining the formal characteristics of an argument, the interrelationship between form and content, as well as patterned compositions and non-linear semantic utterances. With these comprehensive new readings, the volume makes a landmark contribution to the study of written thinking in early China.
Contributors include: Wim De Reu, Joachim Gentz, Christoph Harbsmeier, Martin Kern, Dirk Meyer, Michael Nylan, Andrew H. Plaks, David Schaberg, Rudolf G. Wagner.

China’s Literary Cosmopolitans offers a comprehensive introduction to the literary oeuvres of Qian Zhongshu (1910-98) and Yang Jiang (b. 1911). It assesses their novels, essays, stories, poetry, plays, translations, and criticism, and discusses their reception as two of the most important Chinese scholar-writers of the twentieth century.

In addition to re-evaluating this married couple’s intertwined literary careers, the book also explains why they have come to represent such influential models of Chinese literary cosmopolitanism. Uncommonly well-versed in Western languages and literatures, Qian and Yang chose to live in China and write in Chinese. China’s Literary Cosmopolitans argues for their artistic importance while analyzing their works against
the modern cultural imperative that Chinese literature be worldly.

Christopher Rea (Ph.D., Columbia) is Associate Professor of Asian Studies at the University of British Columbia. He is the author of The Age of Irreverence: A New History of Laughter in China (California, 2015), co-editor of The Business of Culture: Cultural Entrepreneurs in China and Southeast Asia, 1900-65 (ubc Press, 2015), and editor of Humans, Beasts, and Ghosts: Stories and Essays by Qian Zhongshu(Columbia, 2011).

The early Christian presence in Inner Mongolia forms the subject of this book. These Nestorian remains must primarily be attributed to the Öngüt, a Turkic people closely allied to the Mongols. Writing in Syriac, Uighur and Chinese scripts and languages, the Nestorian Öngüt drew upon a variety of religions and cultures to decorate their gravestones with crosses rising from lotus flowers, dragons and Taoist imagery. This heritage also portrays designs found in the Islamic world. Taking a closer look at the discovery of this material and its significance for the study of the early Church of the East under the Mongols, the author reconstructs the Nestorian culture of the Öngüt.
The reader will find many newly discovered objects not published before. At the same time this study demonstrates how many remaining objects were appropriated and, in many cases, vanished after their discovery.

'I find myself obliged to make a special effort to avoid over-praising this book, a treasure-house of information, drawn on a comprehensive array of sources, some of them hitherto untapped, and splendidly presented on the important subject of Christian presence in East Asia.'
DENIS SINOR, (Indiana University), Journal of Asian History, 43/1 (2009)

Ideology of Power and Power of Ideology in Early China explores ancient Chinese political thought during the centuries surrounding the formation of the empire in 221 BCE. The individual chapters examine the ideology and practices of legitimation, views of rulership, conceptualizations of ruler-minister relations, economic thought, and the bureaucratic administration of commoners.
The contributors analyze the formation of power relations from various angles, ranging from artistic expression to religious ideas, political rhetoric, and administrative action. They demonstrate the interrelatedness of historiography and political ideology and show how the same text served both to strengthen the ruler’s authority and moderate his excesses. Together, the chapters highlight the immense complexity of ancient Chinese political thought, and the deep tensions running within it.
Contributors include Scott Cook, Joachim Gentz, Paul R. Goldin, Romain Graziani, Martin Kern, Liu Zehua, Luo Xinhui, Yuri Pines, Roel Sterckx, and Charles Sanft.

In Dialectics of Spontaneity, Zhiyi Yang examines Su Shi’s poetry on art and connoisseurship, his emulation of Tao Qian in exile poetry, and his inner alchemical practice. She argues that the concept of absolute spontaneity is defined negatively, and artistic and ethical spontaneity which can be actualized must be provisional and conditioned.

This book argues that Su Shi’s lyrical persona of a 'spontaneous genius' is a construction that serves various rhetorical and existential purposes. Making use of Su’s prolific works and referring to a broad scope of Western philosophy, this book not only enriches the literature on Su Shi, but further attempts to engages Chinese literature in a cross-cultural and interdisciplinary dialogue.

Experimental Chinese Literature is the first theoretical account of material poetics from the dual perspectives of translation and technology. Focusing on a range of works by contemporary Chinese authors including Hsia Yü, Chen Li, and Xu Bing, Tong King Lee explores how experimental writers engage their readers in multimodal reading experiences by turning translation into a method and by exploiting various technologies.

The key innovation of this book rests with its conceptualisation of translation and technology as spectrums that interact in different ways to create sensuous, embodied texts. Drawing on a broad range of fields such as literary criticism, multimodal studies, and translation, Tong King Lee advances the notion of the translational text, which features transculturality and intersemioticity in its production and reception.

Engaged with the paradigms of cultural geography, local history, spatial politics, and everyday life, The Lost Geopoetic Horizon of Li Jieren unveils a Sichuan writer’s lifelong quest: an independent historical fiction writing project on Chengdu from the turn of the century through China’s 1911 Revolution. Kenny Kwok-kwan Ng's study illuminates the crisis of writing home in a globalized age by rescuing Li Jieren’s repeatedly revised but never finished river-novel series written from Republican to Communist China, struggling to liberate local memory from the national cum revolutionary currents. The book undercuts official historiography and rewrites Chinese literary history from the ground up by highlighting Li’s resilient geopoetics of writing that decenters the nation by adopting the place-based view of a distant province.

There were over a thousand counties and prefectures in late imperial China; each loomed large in the hearts and minds of the local natives, and had a history of its own. The Order of Places tells a story of how these places were ordered by the long-lived imperial state, and then re-ordered during the sixteenth through eighteenth centuries as geographical mobility increased.
At the center of the story are the mobile merchants from south China’s Huizhou Prefecture, then the most prominent merchant group in China. The story presents the dynamics of geography in the world’s most enduring empire on the eve of its entry into modern history, as the author explores the changing relationships between people and the place they called “home”, between local place and the life-world the Chinese called “all-under-Heaven,” and between local places.

Nine renowned sinologists present a range of studies that display the riches of medieval Chinese verse in varied guises. All major verse-forms, including shi, fu, and ci, are examined, with a special focus on poetry’s negotiation with tradition and historical context. Dozens of previously untranslated works are here rendered in English for the first time, and readers will enter a literary culture that was deeply infused with imperatives of wit, learning, and empathy. Among the diverse topics met with in this volume are metaphysical poetry as a medium of social exchange, the place of ruins in Chinese poetry, the reality and imaginary of frontier borderlands, the enigma of misattribution, and how a 19th-century Frenchwoman discovered Tang poetry for the Western world.
Contributors include Timothy Wai Keung Chan, Robert Joe Cutter, Ronald Egan, David R. Knechtges, Paul W. Kroll, Stephen Owen, Wendy Swartz, Ding Xiang Warner, and Pauline Yu.

Imitations of the Self reevaluates the poetry of Jiang Yan (444–505), long underappreciated because of its pervasive reliance on allusion, by emphasizing the self-conscious artistry of imitation. In context of “imitation poetry,” the popular genre of the Six Dynasties era, Jiang’s work can be seen as the culmination of central trends in Six Dynasties poetry. His own life experiences are encoded in his poetry through an array of literary impersonations, reframed in traditional literary forms that imbue them with renewed significance. A close reading of Jiang Yan’s poetry demonstrates the need to apply models of interpretation to Chinese poetry that do justice to the multiplicity of authorial self-representation.

This book demonstrates the historical changes in early medieval China as seen in the tales of the supernatural—thematic transformation from traditional demonic retribution to Karmic retribution, from indigenous Chinese netherworld to Buddhist concepts of hell, and from the traditional Chinese savior to a new savior, Buddha. It also examines Buddhist imagery and the flourish of new motifs in the fantastic dreamworld and their relationship with Buddhism. This study relates the Youming lu to the development of popular Chinese Buddhist beliefs, attempting to single out ideas that differ from the beliefs found in Buddhist scriptures as well as miraculous tales written especially to promote Buddhism.

The authors consider new views of the classical versus vernacular dichotomy that are especially central to the new historiography of China and East Asian languages. Based on recent debates initiated by Sheldon Pollock’s findings for South Asia, we examine alternative frameworks for understanding East Asian languages between 1000 and 1919. Using new sources, making new connections, and re-examining old assumptions, we have asked whether and why East and SE Asian languages (e.g., Chinese, Manchu, Mongolian, Jurchen, Korean, Japanese, and Vietnamese) should be analysed in light of a Eurocentric dichotomy of Latin versus vernaculars. This discussion has encouraged us to explore whether European modernity is an appropriate standard at all for East Asia. Individually and collectively, we have sought to establish linkages between societies without making a priori assumptions about the countries’ internal structures or the genealogy of their connections.
Contributors include: Benjamin Elman; Peter Kornicki; John Phan; Wei Shang; Haruo Shirane; Mårten Söderblom Saarela; Daniel Trambaiolo; Atsuko Ueda; Sixiang Wang.

In Doing Good and Ridding Evil in Ming China: The Political Career of Wang Yangming, George Israel offers an account of this influential Neo-Confucian philosopher’s official career and military campaigns. While his contribution to China’s intellectual history and the outlines of his political life are well known, the relation between his thought and what he did in his capacity as a Ming official has been given less attention.
Prior writing on Wang Yangming has passed judgment on his ideas by either idealizing or condemning him for how he treated those he was assigned to govern. Through a detailed reconstruction of his career in the context of issues of empire, ethnicity, and violence, George Israel demonstrates that the truth lies somewhere in the middle.

Transmitting Authority investigates the rise and fall of the cultural currency of the Confucian teacher Wang Tong (ca. 584–617), a.k.a. Master Wenzhong, in the five centuries following his death, by examining the textual and social history of the Zhongshuo, which purports to record Wang Tong’s teachings. Incorporating theories and methodologies from textual criticism, the history of the book, and cultural studies, Warner reveals evidence of the Zhongshuo’s textual fluidity during the Tang and early Song dynasties, and argues that this fluidity attended the shifting terms of the Zhongshuo’s cultural value for medieval China’s literati culture. In doing so, Warner offers scholars a model for the study of other works whose textual problems and historical significance have hitherto seemed inscrutable.

Buddhism in China gathers together for the first time the most central and influential papers of the great scholar of Chinese Buddhism, Erik Zürcher, presenting the results of his career-long profound studies following on the 1959 publication of his landmark The Buddhist Conquest of China. The translation and language of Buddhist scriptures in China, Buddhist interactions with Daoist traditions, the activities of Buddhists below elite social levels, continued interactions with Central Asia and lands to the west, and typological comparisons with Christianity are only some of the themes explored here. Presenting some of the most important studies on Buddhism in China, especially in the earlier periods, ever published, it will thus be of interest to a wide variety of readers.

In The Poet Zheng Zhen (1806-1864) and the Rise of Chinese Modernity, J. D. Schmidt provides the first detailed study in a Western language of one of China's greatest poets and explores the nineteenth-century background to Chinese modernity, challenging the widely held view that this is largely of Western origin. The volume contains a study of Zheng's life and times, an examination of his thought and literary theory, and four chapters studying his highly original contributions to poetry on the human realm, nature verse, narrative poetry, and the poetry of ideas, including his writings on science and technology. Over a hundred pages of translations of his verse conclude the work.

In Five Classics of Fengshui Michael Paton traces the theoretical development of this form of spiritual geography through full translations of major texts: the Burial Classic of Qing Wu, Book of Burial, Yellow Emperor’s Classic of House Siting, Twenty Four Difficult Problems, and Water Dragon Classic.
This theoretical development is analysed through the lens of history, philosophy and sociology of science in an attempt to address Joseph Needham’s conundrum of the "great beauty of the siting" in traditional China being based of such a “grossly superstitious system” and to understand what part fengshui played in the environmental history of China.

In The Five-Colored Clouds of Mount Wutai: Poems from Dunhuang, Mary Anne Cartelli examines a set of poems from the Dunhuang manuscripts about Mount Wutai, the most sacred mountain in Chinese Buddhism. Dating from the Tang and Five Dynasties periods, they reflect the mountain’s transformation into the home of the bodhisattva Mañjuśrī, and provide important literary evidence for the development of Buddhism in China. This interdisciplinary study analyzes the poems using Buddhist scriptures and pilgrimage records, as well as the contemporaneous wall-painting of Mount Wutai in Dunhuang cave 61. The poems demonstrate how the mountain was created as a sacred Buddhist space, as their motifs reflect the cosmology associated with the mountain by the Tang dynasty, and they vividly portray the experience of the pilgrim traveling through a divinely empowered landscape.

In Between the Lines Cosima Bruno illustrates how the study of translation can enhance our experience of reading poetry.
By inquiring into the mutual dependence of the source text and its translation, the study offers both theoretical insights and methodological tools that bring in-depth stylistic analysis to bear on the translations as against the originals.
Through such a process of discovery, Cosima Bruno elaborates a textual exegesis of the work by Yang Lian, one of the most translated, and critically acclaimed contemporary Chinese poets.
This book thus reconciles the theory-practice divide in translation studies, as well as helps to dismantle the lingering Eurocentrism still present in the discipline.

This book focuses on the representation of human mortality in early medieval Chinese literature. This theme is observed and reconstructed through the contextual and intertextual analysis of the work of eminent writers of the period, texts that have never been examined from an eschatological perspective. Through this perspective, and the careful use of research from the fields of religion and anthropology, the book offers a fresh view of commentator Wang Yi (fl. 89–158), well-known poets Ruan Ji (210–63), Tao Qian (365?–427), and Xie Lingyun (385–433), and also brings into the discussion relevant works by several previously neglected authors. The book contributes a new angle from which to appreciate literature of this and other periods in Chinese history.

Scholarship on Xiao Tong in both China and the West has paid little attention to his own writings beyond the influential anthology compiled by the Liang Crown Prince. Adopting a philological approach, this book thorougly examines a multitude of texts written by Xiao Tong and his entourage, many of whom were powerful writers in their own right. In addition to drawing a picture of important aspects of Liang court culture such as education, literary composition, personal relations, and ideological and religious trends, this study also redresses a long-standing bias against court poetry. It will enhance our understanding not only of the early sixth-century but also, indirectly, of a significant portion of pre-modern Chinese literature in general.

This is the first scholarly study in which the production, trade and political effects of opium and its derivatives are shown over many centuries, and in many countries (China, India, Indonesia, Japan, all Southeast Asian countries and some in Europe and the Americas). Starting in the 16th century, slavery and opium became the two means with which the bodies and souls of men and women in the tropics were exploited in western imperialism and colonialism. The first waned with the abolition movement in the 19th century, but opium production and trade continued to spread, with the associated serious social and political effects. Around 1670 the Dutch introduced opium as a cash crop for mass production and distribution in India and Indonesia. China became the main target in the 19th century, and only succeeded in getting rid of the opium problem around 1950. Then it had already been transformed from an “Eastern” into a “Western” problem.

Saluting the Yellow Emperor tells the fascinating story of a group of Swedish scholars who rediscovered the pronunciation of the Chinese classics, buried Silk Road cities, and a Chinese Stone Age, while spiriting antiquities out of Asia. Mining Swedish archives and drawing on letters, diaries, personal papers, and published accounts, it is the first collective history on this group of China scholars. In his analysis, Perry Johansson turns Edward Said’s argument about orientalism inside out. Rather than simply serving Western imperialism, Bernhard Karlgren, Johan Gunnar Andersson, Sven Hedin, Osvald Sirén, and Jan Myrdal were opportunists who highly appreciated the Chinese Empire whose civilizing mission in East and Central Asia they supported in word and deed. Whether friendly with Mao or Hitler, their occidentalist disdain of Western egalitarian societies made them champions of the Chinese mythology of obedient peasants ruled by an enlightened autocracy.

Looking at knowledge transmission as a cultural feature, this book isolates and examines the individual factors that affect knowledge in the making and created uniquely Chinese cultures of knowledge. The volume is organized into four sections: Internode, Imperial Court, Agora, and Scholarly Arts. Each has a theoretical introduction, followed by two core contributions from experts in Chinese history. The section concludes with a ‘reflection’ by a historian of Western Technology who scrutinizes each sphere and identifies the points that reflect universal technological experience. The combination of broadly sketched theoretical introductions and detailed core contributions provides an unparalleled insight into pre-modern Chinese history from the Song to early Qing dynasty, revealing Chinese attitudes towards innovation and invention.

One of the most magnificent and enduring themes in Chinese painting history can be found depicted in Daoist temples from the local village up to the very capital, viz., the paintings of the Heavenly Court (chaoyuan tu). Surprisingly, its images have remained largely unstudied in Western scholarship. Drawing on a comparative study of four complete sets of wall paintings dating back to the thirteenth and fourteenth centuries (the oldest examples), and their related images, painting criticism, stele inscriptions, and Daoist ritual manuals, the author offers the first comprehensive study of the historical development, iconography, ritual context, methods of mural design, and the personalisations made by patrons of the four Heavenly Court paintings.

The book explores the coming-of-age fiction of two of the most critically acclaimed and frequently translated contemporary Chinese authors, Yu Hua and Su Tong; it is the first in-depth book-length treatise in English about the contemporary Chinese Bildungsroman. Although various individual contemporary Chinese novelists and individual works of Chinese fiction have previously been discussed under the rubric of the Bildungsroman, none of these efforts has approached the level of comprehensive and comparative analysis that this book brings to the genre and its social contexts in contemporary China. This book will pique the interests not only of scholars and students of Chinese and comparative literature, but also of historians and social scientists with an interest in the region.

The essays in this volume seek to flesh out the diversity of Chinese textual production during the period spanning the tenth and fourteenth centuries when printing became a widely used technology. By exploring the social and political relations that shaped the production and reproduction of printed texts, the impact of intellectual and religious formations on book production, the interaction between print and other media, readership, and the growth of collections, the contributors offer the first comprehensive examination of the cultural history of book production in the first 500 years of the history of printing. In an afterword historian of the early modern European book, Ann Blair, reflects on the volume's implications for the comparative study of the impact of printing.

The cultural fascination with and imagination of theater has long been overlooked as an important historical and literary context for reading Water Margin and Journey to the West. This study focuses on the concept of “the theatrical” to read those novels and their commentaries. Imbued with performances, playacting, spectacles, and spectatorship, the early modern theatrical novel borrowed heavily from theater to conflate the theatrical and the real, juggle theatrical roles, persons, and identities, and contest orthodoxies by challenging and appropriating sites of control and authority. This study showcases the theatrical novel’s unique position as a new form of literati self-representation in response to the destabilizing social and political forces of early modern China.

Handwritten in the seventeenth century, the Arte de la lengua chio chiu is the oldest extant grammar of the Chinese vernacular known as Southern Min or Hokkien, and a spectacular source text for present-day linguistics. Its author, a Spanish Dominican missionary, worked among the Chinese settlers in Manila or “Sangleys”. The first part of The Language of the Sangleys is an in-depth analysis of the Arte in its historical, social and linguistic contexts. The second part offers an annotated transcript and translation of the Arte, including facsimiles of the original manuscript, making this study eminently fit for classroom use. Combining sophisticated theory and method with meticulous philology, The Language of the Sangleys presents a fascinating, new chapter in the history of Chinese and general linguistics.

The thirteen essays in this volume narrate and analyze the reciprocal influences of technological, intellectual, and
sociopolitical changes on the structure of modern China's book (and print) trade; more specifically, they treat the rise of new genres of print, changes in writing practices, the dissemination of ideas and texts (both paper and electronic), the organization of knowledge, and the relationship between the state and print culture. The essays range chronologically from the late eighteenth century to the present, an over two-century transition period that allows authors to draw comparisons between the largely woodblock print culture of the eighteenth and nineteenth centuries; the mechanized publishing of the late-nineteenth, twentieth, and twenty-first centuries; and the global internet culture of today.

The warlord Cao Cao, founder of the Three Kingdoms state of Wei, is most commonly known through the romantic tradition of the novel Sanguo yanyi and other dramatic fictions, which portray him as cruel and vicious. In fact, however, Cao Cao was a fine strategist and politician who restored a measure of order after the political turmoil and civil war that brought the end of Han.
The present work offers a detailed account of Cao Cao's life and times, using historical materials and the man's own words from official proclamations and personal poetry. Exceptionally for such a distant time, there is sufficient information in the texts to provide a rounded interpretation of one of the great characters of early China.

This title has been awarded the Stanislas Julien prize for 2011.

The Chan monk Qisong (1007-1072), an important figure in Northern Song religious and intellectual history, has garnered relatively little scholarly attention. This book provides a detailed biography with a focus on the influential historical writings he composed to defend Chan claims of a "mind-to-mind transmission" tracing back to the historical Buddha. It places his defense of lineage in the context not only of attacks by the rival Tiantai school but also of the larger backdrop of the development of lineage and patriarchs as sources of authority in Chinese Buddhism. It advances new arguments about these Chinese Buddhist innovations, challenges common assumptions about Chan masters, and offers insights into the interactions of Buddhists, Confucians, and the imperial court during the Song.

This biography of the court scholar Xun Xu explores central areas of intellectual life in third-century China — court lyrics, music, metrology, pitch systems, archeology, and historiography. It clarifies the relevant source texts in order to reveal fierce debates. Besides solving technical puzzles about the material details of court rites, the book unfolds factional struggles that developed into scholarly ones. Xun’s opponents were major figures like Zhang Hua and Zhi Yu. Xun Xu’s overall approach to antiquity and the derivation of truth made appeals to an idealized Zhou for authority. Ultimately, Xun’s precision and methods cost him both reputation and court status. The events mark a turning point in which ideals were moving away from such court constructs toward a relatively more philosophical antiquarianism and towards new terms and genres of self-expression.

The Glory of Yue is the first translation into any Western language of the Yuejue shu, a collection of essays on history, literature, religion, architecture, economic thought, military science, and philosophy related to the ancient kingdoms of Wu and Yue, in present day eastern China. This book consists of sixteen chapters, together with three additional chapters of explanation written by the compilers in approximately 25 CE. This translation is presented with copious annotations and explanations, linking the concepts discussed with the development of the mainstream Chinese cultural tradition, and draws on both modern Western and Chinese exegesis, as well as archeological discoveries, to elucidate this highly complex and unjustly neglected text.

Wilt Idema is one of the world's leading scholars and translators of Chinese literature, with research interests ranging from classical poetry to premodern fiction, performance literature and women's writing. His oeuvre is exceptional in its inclusiveness and its ability to let different historical periods, genres and issues speak to one another, and to make the riches of Chinese literature accessible to a wide range of readers. In honor of his work, this collection brings together new research by twenty-two prominent scholars in a field of tremendous scope and diversity, on topics including genre characteristics, literary representations of social and political history, gender and cultural identity, music, autobiography, women's writing, internet literature and more.

Uniquely covering literary, visual and performative expressions of culture, this volume aims to correlate the conjunctions of nation building, gender and representation in late 19th and early 20th century China and Japan. Focusing on gender formation, the chapters explore the changing constructs of masculinities and femininities in China and Japan from the early modern up to the 1930s. Chapters focus on the dynamism that links the remodeling of traditional arts and media to the political and cultural power relations between China, Japan, and the Western world. A true tribute to multidisciplinary studies.

This book argues that Gao Xingjian's Idea of Theatre can only be explained by his broad knowledge and use of various Chinese and Western theatrical, literary, artistic and philosophical traditions.

The author aims to show how Gao's theories of the theatre of anti-illusion, theatre of conscious convention, of the "poor theatre" and total theatre, of the neutral actor and the actor - jester - storyteller are derived from the Far Eastern tradition, and to what extent they have been inspired by 20th century Euro-American reformers of theatre such as Antonin Artaud, Bertolt Brecht, Vsevolod Meyerhold, Jerzy Grotowski and Tadeusz Kantor. Although Gao' s plays and theatre form the major subject, this volume also pays ample attention to his painting and passion for music as sources of his dramaturgical strategies.

Chinese Poetry in Times of Mind, Mayhem and Money is a groundbreaking contribution to scholarship, well-suited to classroom use in that it combines rigorous analysis with a lively style. Covering the period from the 1980s to the present, it is organized around the notions of text, context and metatext, meaning poetry, its socio-political and cultural surroundings, and critical discourse in the broadest sense. Authors and issues studied include Han Dong, Haizi, Xi Chuan, Yu Jian, Sun Wenbo, Yang Lian, Wang Jiaxin, Bei Dao, Yin Lichuan, Shen Haobo and Yan Jun, and everything from the subtleties of poetic rhythm to exile-bashing in domestic media. This book has room for all that poetry is: cultural heritage, symbolic capital, intellectual endeavor, social commentary, emotional expression, music and the materiality of language – art, in a word.

The early Christian presence in Inner Mongolia forms the subject of this book. These Nestorian remains must primarily be attributed to the Öngüt, a Turkic people closely allied to the Mongols. Writing in Syriac, Uighur and Chinese scripts and languages, the Nestorian Öngüt drew upon a variety of religions and cultures to decorate their gravestones with crosses rising from lotus flowers, dragons and Taoist imagery. This heritage also portrays designs found in the Islamic world. Taking a closer look at the discovery of this material and its significance for the study of the early Church of the East under the Mongols, the author reconstructs the Nestorian culture of the Öngüt.
The reader will find many newly discovered objects not published before. At the same time this study demonstrates how many remaining objects were appropriated and, in many cases, vanished after their discovery.

'I find myself obliged to make a special effort to avoid over-praising this book, a treasure-house of information, drawn on a comprehensive array of sources, some of them hitherto untapped, and splendidly presented on the important subject of Christian presence in East Asia.'
DENIS SINOR, (Indiana University), Journal of Asian History, 43/1 (2009)

The important place of Russian literature in China is widely acknowledged. To better understand the processes of its translation, transmission and interpretation during the first half of the 20th century, this book draws on an array of Chinese and Russian sources, providing insight into the interplay of political ideologies, cultural trends, commercial forces, and the self-definition of Chinese culture in the period under consideration. By focusing on the translation and translators of three writers, Boris Savinkov, Mikhail Artsybashev and Leonid Andreev, it analyzes the critical fortune in China of the modernist literature written in Russia during the two decades preceding the Great War and Revolution. Offering a thorough study of Lu Xun, the most important Chinese author of the 20th century, as a reader, translator and interpreter of Russian literature, this book also displays the variety of the groups and persons involved in the introduction of foreign literature, going beyond shopworn generalizations about “East” and “West” to make meaningful statements about a complex period in Chinese history.

The poetry of the Ming dynasty has been relatively neglected in scholarship of the past century, and the 'Archaist' poets of the middle Ming especially so. This book attempts to redress this neglect by presenting by far the most detailed treatment available in any language of the life, milieu, and work of Ho Ching-ming (1483-1521). While Ho's participation in the Archaist circle of Li Meng-yang in his youth is confirmed, the later development of his ideas is shown to move toward a stance usually thought more representative of the following century. The book also argues that 'May Fourth' accounts of the pre-modern literary tradition are seriously flawed and require replacement.

Much of the previous scholarship on Taiwanese modernist poetry easily falls into ideological arguments. This book participates in the development of an alternative approach to understanding Taiwanese modernist poetry. Dr. Au’s approach emphasizes the diversity and intensity of experiences of place and placelessness in the work of five poets: Lomen, Luo Fu, Rong Zi, Yu Guangzhong and Zheng Chouyu.
The phenomenon of placelessness is a problem in all modernity and so modern aesthetics is an outgrowth of modern society’s sense of placelessness. This book not only shows how place becomes placelessness but also analyses Taiwanese modernist poets’ responses to the phenomenon of placelessness. Four kinds of places are examined, namely, the house, the city, homeland and an imagined literary community, in this work. The result is both refreshing and original.

According to a reader's report, this is "one of the finest studies on (any kind of) Chinese music to emerge in recent years." Based on extensive fieldwork and a thorough knowledge of the scholarly literature, the author examines the theoretical underpinnings of the 'silk and bamboo' instrumental ensemble traditions of the Chaozhou, Hakka and Cantonese peoples of South China. Stepping back far into history, the book opens with a penetrating examination of Confucian theory, the ancient corpus of behavioral doctrine which promoted music as a means of achieving social harmony and which, together with Daoist belief, exercised unusually strong influence over common-practice music and aesthetics. This is followed by a rigorous analysis of the music itself, focusing upon linear and modal structures and performance styles which reflect a fascinating mix of ancient ideologies and more recent influences.

The institution of the Retired Emperor forms the innovative angle from which this study analyzes Classical Chinese political history (4th to 7th centuries A.D.) With the help of the ensuing insights the volume develops into a portal through which to gain understanding of broader patterns of political and social action relevant to the Classical Chinese monarchy. In this truly interdisciplinary approach Weberian historical sociological concepts are engaged as a means of bringing specific historical actions into a wider cross cultural comparative perspective and lays the basis for a new framework to think about kingship and succession in East Asia.

The study examines the origins of the “literary revolution” proclaimed in 1917 which laid the foundation for the replacement of the classical language by the vernacular as China’s national language and medium of national literature. A unique, multifaceted approach is used to explain the political significance of the classical/vernacular divide against the backdrop of social change that followed the Sino-Japanese War of 1894-5. Seeing education as the central battleground for all debates on language, the study in six thoroughly documented chapters investigates the language policy of the Qing and Republican governments, vernacular journalism of the revolutionaries, the activities of urban script reformers, the linguistic thought of the national essence advocates, and the emergence of a scholarly interest in the vernacular in academic circles.

Chen Jiru (1558-1639) was one of the great late-Ming arbiters of culture and taste, and the impact of his innovations can still be traced in present-day China. In late Ming, when culture and taste enjoyed a social prestige beyond their usual standing, Chen's influence appears even greater than it may have otherwise. This is the first major work in any language to examine Chen's background, make a contrastive study of the genres he utilised in forging his literary reputation, and to examine the use that publishers and others have made since of the literary personae he constructed. A study clearly of interest to historians of early Modern China, as well as to those who study cultural and print histories of both East and West.

Although this unique insider's account of minority life in China is clearly a book in itself, it is also the sequel to the much-acclaimed The Kam People of China (Geary, Ou and others, 2003). It describes the hitherto scarcely researched culture of people from Xiangye village, in an untravelled corner of Guizhou province, Southwest China, in the 20 years leading up to Liberation in 1949. Xiangye is a Kam (Dong) nationality village, so the book highlights Kam culture of the 1930s and 1940s. It is a fascinating and unparalleled study, also offering exceptionally clear details of many aspects of material culture and social customs, for example, the work of rice-farming, cotton production, and cooking, beautifully illustrated with line drawings and photographs, that should appeal to anyone interested in the Kam people, China, or in ethnology generally.
The author grew up in Xiangye and later became Professor of Anthropology at a university in Qinghai province. The manuscript was first written in Chinese, with the intention of having it translated into English for an outside readership.

This collection offers a challenging new interpretation of technical knowledge in Chinese thought and practice. Conveying technical knowledge in China through charts, plans or drawings (tu) dates back to antiquity. Earlier studies focused on specialised forms of tu like maps or drawings of machines. Here, however, tu is identified in Chinese terms, viz. as a philosophical category of knowledge production: visual templates for action, spanning a range from mandala to modernist mapping projects, inseparable from writing but with distinctive powers of communication. A distinction is made between two principal types of tu: ritual/symbolic and representational, highlighting essential issues such as historical shifts in their significance, the relations between tu and political power, media for inscribing tu and the impact of printing, and encounters with the West.

This important work focuses on early Quanzhen (Complete Perfection) Daoism, a twelfth-century Daoist religious movement and subsequent monastic order. Emphasis in this first study to approach Quanzhen from a comparative religious studies perspective is placed on the complex interplay among views of self, specific training regimens, and the types of experiences that were expected to follow from dedicated praxis. On the basis of historical contextualization and textual analysis it is demonstrated that in its formative and incipient organized phases Quanzhen was a Daoist religious community consisting of a few renunciants dedicated to religious praxis. The study proper is followed by a complete annotated translation of a text attributed to the founder, which represents one of only two early Quanzhen texts translated to date. Subsequent appendices address issues of dating and contents of the early textual corpus as well as technical Quanzhen religious terminology.

Despite Li Gonglin’s (ca. 1049-1106) deep faith in Buddhism and the large number of recorded and extant Buddhist paintings associated with or ascribed to this great painter, twentieth century scholarship on Li Gonglin has focused primarily on his literatus identity and Confucian art oeuvres. This book departs from this traditional view to establish Li Gonglin’s importance in Chinese Buddhist art history through both the local Longmian Chan and the larger Northern Song religious contexts. It offers a fresh understanding of the impact the intermingling of Tiantai, Pure Land, Huayan and Chan philosophies and practices had on Li Gonglin’s faith and art. Painting Buddhist subjects to Li Gonglin was an expression of faith.

This is the first systematic analysis of the early introduction and reception of international law as a Western political and legal science in China. International law in late imperial China is studied both as part of the introduction of the Western sciences and as a theoretical orientation in international affairs between 1847 and 1911. The first chapters serve the purpose of analysing the political, institutional, intellectual and linguistic process of adapting the theories of international law to the Chinese context language. The second major part of the book is dedicated to the discourse on China and world order within this framework.

The Buddhist monk Fazang (643-712), regarded today mainly as a scholastic monk, was in fact one of the greatest metaphysicians in Asia. This biographical - and hagiographical - study of Fazang seeks to explore his other contributions and in so doing to correct some major mis-presentations and misinterpretations existing in modern scholarship. It highlights and uncovers aspects of Fazang’s complicated life which have been neglected or ignored until now.
By experimenting with some methodological innovations in reading medieval Chinese monastic hagio-biography, this study reveals general features, structures and overall governing laws of medieval East Asian monastic hagio-biographic literature. In doing so it is a major contribution to the ongoing discussion among scholars of hagiography in other contexts as well.

The Northern Song poet He Zhu is best known for his lyrics (ci) but also produced shi poetry of subtlety, wit, and feeling. This study examines the latter as a response to the options available to a late-eleventh century writer in the pentametrical and heptametrical forms of Ancient Verse, Regulated Verse, and Quatrains. Numerous comparisons are made with Su Shi, Huang Tingjian, Du Fu, and other important writers. In a major advance over previous methodologies, the author uses a clear system of metrical notation to show how sound patterns reveal the poet's artistic and emotional intentions. This innovation and the author's other meticulous explorations of He Zhu's artistry allow us to experience Chinese poetry as never before.
From the reader's report: "not just an excellent study of an individual poet but also a model of reading the language of classical Chinese poetry. [..] opens up a world of interpretive territory heretofore seldom explored."

"The reprinting in 2007 of a book originally produced nearly fifty years earlier (and based on a doctoral dissertation begun in the early 1950s) is not merely a publishing event. It constitutes a milestone in the academic study of early Chinese Buddhism that shows at once both how far the field has progressed in the past half-century as well as how fundamental the book remains."
(From the new Introduction.)
At the repeated request of many scholars and students here is a new edition of E. Zürcher's groundbreaking The Buddhist Conquest of China. In his extensive introduction Stephen F. Teiser (D.T. Suzuki Professor in Buddhist Studies, Princeton University) explains why the book is still the standard in the field of early Chinese Buddhism. The introduction, newly written for this edition, analyzes the development of the field from the 1950s to the present. This edition is also updated by utilizing Pinyin (rather than the Wade-Giles system of the first two editions) for the transcription of Chinese and by including a thorough bibliography of E. Zürcher's more recent work.

It was through the propaganda of Shen-hui (684-758) that Hui-neng (d. 710) became the also today still towering figure of sixth patriarch of Ch’an/Zen Buddhism, and accepted as the ancestor or founder of all subsequent Ch’an lineages.
The first part of the book analyses the creation of the image of Hui-neng and the worship of a lacquered mummy said to be that of Hui-neng. Using the life of Confucius as a template for its structure, Shen-hui invented a hagiography for the then highly obscure Hui-neng. At the same time, Shen-hui forged a lineage of patriarchs of Ch’an back to the Buddha using ideas from Indian Buddhism and Chinese ancestor worship. The second half of the book examines the production of the hagiographies of Hui-neng , how they evolved, and the importance of ideas about authorship and the role of place. It demonstrates the influence of Confucian thought, politics and the periphery in the growth of early Ch’an hagiography and the changing image of Hui-neng.

Do all cultures and historical periods have a concept corresponding to the English word emotion? This collection of essays is concerned with the closest candidate within the Chinese language, namely the term qíng. What is the meaning of this term in different periods and genres? What are the types of discourse in which it is typically found? This volume contains two essays on the notion of qíng in classical sources, two on Chan Buddhist usage, and two on fiction and drama from the Ming and Qing dynasties. An introductory essay discusses the complex historical development of the term. Together, the essays may be read as a first step towards a conceptual history of one of the key terms in traditional Chinese culture.

This book reconstructs a neglected episode in the development of Confucianism, one that considerably influenced later Chinese religious thought.
Material Virtue examines a set of four through first century B.C.E. Chinese texts that argue virtue has a physical correlate in the body. Based on both transmitted (e.g., the Mengzi or Mencius) and recently excavated (e.g., the Wuxing or Five Kinds of Action) texts, Material Virtue describes how the argument addresses challenges to early Chinese religious ethics in part by relying on emerging notions such as the balance of qi (pneumas) also found in natural philosophy.

Mapping Meanings is essentially a broad-ranged introduction to China’s intellectual entry into the family of nations. Written by a fine selection of experts, it guides the reader into the terrain of China's (late Qing) encounter with Western knowledge and modern sciences, and at the same time connects convincingly to the broader question of the mobility of knowledge.
The late Qing literati's pursue of New Learning was a transnational practice inseparable from the local context. Mapping Meanings therefore attempts to highlight what the encountered global knowledge could have meant to specific social actors in the specific historical situation. Subjects included are the transformation of the examination system, the establishment of academic disciplines, and new social actors and questions of new terminologies.
Both an introduction and a reference work on the subject.

This book is about the tension between de facto political power and the claims to intellectual and moral leadership of the shi (‘gentleman class’) in Early Medieval China.
Shelun, or Hypothetical Discourse, is a hitherto neglected Chinese literary genre. The author for the first time places the surviving texts against the political background that accounts for its rise and decline in early medieval China. Comprehensively annotated translations of seven Hypothetical Discourses are placed in the context of their authors' lives and times, with an emphasis on the post-Han examples of the genre.
This thorough study gives insight into this subgenre of fu by which the world of the Chinese gentleman class finds an always ambiguous expression in the rhyme-prose texts under review.

A reconstruction of the Chinese sky of two thousand years ago, based on analysis of the first star catalogue in China and other sources. Presented in six well-sized star maps for 100 BC, it is especially important for the history of astronomy. The Han sky, with five times more constellations than Ptolemy knew, reflects diverse human activities. The way in which constellations were grouped discloses a systematic cosmology, uniting universe and the state.
The work of the three Han schools is comparable to Ptolemy's Almagest. With three detailed Appendices on the constellations of the three schools, well illustrated to demonstrate the relation between sky and human society, this book is valuable not only for astronomy historians and sinologists, but in general for scholars interested in the ancient cultures of Asia.

The first full-length study in English on T'an Ssu-t'ung, a well-known scholar-reformer in late-Ch'ing China. Based on a rich variety of primary sources, it traces T'an's progress from his early years to his summary execution during the palace coup in 1898.
The Introduction explains the premises and sources pertinent to this study, while the Epilogue provides an overall interpretation of T'an's life. The remaining eight chapters are organized in such a way as to allow a chronological and thematic appreciation of the book's subject matter.
This is more than a biography of a remarkable individual. By placing T'an's personal experience in the larger social and political contexts, it also sheds light on an emergent intellectual community in modern China.

All cultures and times have their own notions of time and space. Being one of the fundamental ideas in every society they influence virtually every aspect of society. In this book the authors explain the notions of time and space in China, how culturally concrete and particularly Chinese they are and how significant such Chinese cultural-ness of these notions is. Seventeen scholars of various disciplinary backgrounds have treated topics within this general perspective in a comprehensive way.

This volume deals with the social legislation of Zhu Yuanzhang, who founded the Ming dynasty (1368-1644), following the era of Mongol rule in China. It recounts the circumstances under which the laws were enacted and what the Emperor claimed he was trying to accomplish - a restoration of traditional Chinese social norms. The contents of several codes are discussed in terms of the groups to which they applied and the range of activities they purported to regulate.
The early Ming codes formed one of the most comprehensive and cohesive bodies of law in all of Chinese history. Taken as a group, they constituted an autocrate's blueprint for the ideal society. The texts of three codifications - an imperial clan constitution, a general summary of the laws, and guidelines for village life - are translated as appendixes.

Men and Women in Qing China is an analysis of Chinese prescriptions of gender as represented in Cao Xueqin's famous eighteenth century Chinese novel of manners, The Red Chamber Dream or The Story of the Stone. Drawing on feminist literary critical methods it examines Qing notions of masculinity and femininity, including themes such as bisexuality, motherhood, virginity and purity, and gender and power. Its central aim is to challenge the common assumption that the novel represents some form of early Chinese feminism by examining the text in conjunction with historical data.
The book will be especially important to those interested in issues of gender in China, the history of Chinese literary criticism and the application of feminist theory to the Asian text.

Clause Combination in Chinese is an abundantly documented study of composite sentences in Modern Chinese, their semantic properties and syntactic behaviour. It discusses the extent of language variation, the relation between synchrony and diachrony, the nature of grammaticalization, generality and gradience, and the non-uniqueness of syntactic analysis.
The first part provides a new categorization of clause combinations and clause connectives. It introduces a class of connectives often combining units larger than the sentence. It also discusses the frequent non-use of clause connectives in Chinese composite sentences.
The second part contains case studies of composite sentences with unusual semantic properties, among them a hitherto unrecognized pattern with no English counterpart: adverbial clauses expressing necessity.
The book should be of interest to all students of Chinese linguistics and to general linguists concerned with sentence complexity.

The history of the Madhyamaka, one of the two main Indian Mahāyāna Buddhist philosophical traditions, began around the second century A.D. with the appearance of the writings of Nāgārjuna and Nāgārjuna's followers. Several of these writings were transmitted to China in the first decade of the fifth century, and had exerted a considerable influence on the development of Chinese Buddhist thought. This book examines the three stages of development of Chinese Madhyamaka, focussing attention on the different ways the representative figures of each stage applied basic Madhyamaka principles to deal with the central Buddhist doctrinal issues of their age.
The chief aim of this book is to locate an ideological nucleus and to trace a general pattern of transformation, referring to which the precise significance of the key theoretical elements and the exact relationship between the main doctrinal aspects of a broad Buddhist intellectual trend can be clearly demonstrated and accurately defined.

This collection of essays written by his former students and colleagues represent the many foci of interest that Erik Zürcher has shared with them during his tenure as professor at Leiden University. They include discussions of Confucian philosophy, Buddhist and Christian polemics, the spread of Jesuit literature and anti-Christian attitudes among the literati, Ming aphorisms, the Chinese pictorial of skulls and skeletons, the Ch'ien-lung Emperor's eightieth birthday celebrations, Sino-Korean relations, and the "little traditions" in Chinese historical development, secret societies and kongsi. The book demonstrates how Zürcher inspired a wide range of interests in problems of Chinese history from heterodoxy, to local development, to hsiao-shuo traditions, but always in the highest traditions of philological scholarship.

The central theme of this volume is the Chinese concept of chiao-hua, "Transformation by Instruction": the ancient idea that moral guidance in all spheres of life is one of the most essential tasks of leadership at all levels, from the central government down to local elites.

Within this general perspective nineteen scholars of various disciplinary backgrounds have treated topics ranging from the regulation of conspicuous consumption in Ming times to ritualization of protest in recent times.

In many cases a surprising degree of cultural continuity can be observed; on the other hand, due attention has also been paid to clashes between traditional Chinese (notably Confucian) norms and the demands of modernization in contemporary Chinese society.

This book provides a new hypothesis for understanding the real nature of the term White Lotus Teachings. The author argues that there are actually two different phenomena covered by similar terms: from c. 1130 until 1400, a real lay Buddhist movement existed, which can be called the White Lotus movement. It enjoyed the respect of contemporary literati and religious elites. The movement used the autonym White Lotus Society, which came to be prohibited in the early Ming and was discarded as a result. After 1525, the name reappeared in the form White Lotus Teachings, but now only as a derogatory label, used by officials and literati rather than by believers themselves.
As a result of this hypothesis, the history of the "White Lotus Teachings" changes from one of religious groups and magicians into one of elite ideology and religious persecution. The book is therefore important both for historians and anthropologists of Chinese religion and society, and for comparative historians interested in the ideological and social construction of "heterodoxy".

The Aobo tu, the 'Illustrated Boiling of Sea Water', was completed and published by Chen Chun in 1334. It is the world's earliest extant work exclusively dealing with salt production and salt production techniques. The first part of this book focuses on the technical, fiscal, administrative, social and economic background of the Aobo tu. It also provides the reader with information on the various editions and related material. This is followed by a complete annotated translation and the reproduction of two different sets of illustrations. By combining research on various aspects of the salt industry during the Song (960-1279) and Yuan (1271-1368) periods, a better understanding of the fiscal and economic importance of this crucial sector can be gained.

This volume deals with the world of carpenters and joiners in late Imperial China, discussing both the technical and the religious and ritual aspects of building. It uses as its point of departure a unique and hitherto unused source: the fifteenth-century carpenter's manual Lu Ban jing.
The first part of the book examines building materials, the life of labourers and craftsmen, and the process of building a house. Subjects included are the choice of favourable measurements, the ritual of raising the ridge pole, and the complete, annotated translation of the Lu Ban jing, preceded by a bibliographic essay. The sections on furniture construction are especially important for the art historian. The book is finely illustrated with more than eighty original drawings and includes a facsimile of the extremely rare, richly illustrated earliest edition of the Lu Ban jing, dating from ca. 1600.

In this publication the development is traced of two sections of the chapter on "Homicide" of the penal code of the Qing dynasty (1644-1912), Murder and Homicide of an Adulterer. The former deals with premeditated homicide where there is no difference in status, social or family relations between murderer and victim, while in the latter we find the husband who kills his wife and her paramour when caught in the act. In that case, the husband was immune from prosecution, provided that he commited the act at the time and at the site.
The first section developed in a clear and intelligent way, with in general some logical provisions being added from the beginning till the end of the dynasty. The second section, however, was enriched by 34 additional articles through legislation and judicial practice, which with a view to promoting moral purity in society, gradually circumvented the original restrictions to the husband's fury.
Consequently, by accentuating the husband's important status and for the sake of maintaining the established hierarchy in society, that section changed into a bad and cruel part of the law, turning the husband's behaviour from an excusable exception into morally justified conduct, and likewise the woman's misbehaviour into a mortal sin. This has all been confirmed by the motivation of the legislation and sentences of the cases.