Band 8, Heft 1

The Annunciation Broadcast by Prophets (1565) was an altarpiece created by Federico Zuccaro (1541–1609) for the Church of the Annunciation, Rome. It was the first image commissioned by the Order of the Jesuits, a movement involved in propagating the objectives of the Counter-Reformation Church. Altarpieces were particularly effective points of communication between the Catholic Church and the lay beholder, and used visual exegesis as a means to communicate appropriated receptions of biblical texts. The intimate connection that these objects have to their theological and political context marks them as significant moments of biblical reception, that have, up to this point, been overlooked by historians in the field. This article identifies the broader lacuna in scholarship surrounding the reception history of the Bible during the Counter-Reformation. Whilst this is due to a preference for studies of the Bible in the Protestant Reformation, the lack of scholarly investment poorly reflects the relevance of the Counter-Reformation period to the reception-historical methodology. The context prioritized the interpretation of the Bible through the lens of Church tradition, or in other words, the history of the Bible’s reception. This affinity is echoed in the reception-historical approach found in contemporary biblical scholarship, creating a hermeneutical link between the two contexts. Visual culture was a valuable expression of Counter-Reformation rhetoric and visualized the mediation of biblical texts through Church tradition. This article uses Zuccaro’s altarpiece as a tool to argue this hypothesis and postulate the intimate relationship maintained between texts and their reception in Counter-Reformation Catholicism.

Exemplarity, ethnography, and exegesis are three forms of cultural practice well known to the ancient Mediterranean world. The use of role models, the ‘writing’ of peoples, and the interpretation of authoritative writings (i.e. “Scriptures”) were ways in which many authors of Greco-Roman and Judeo-Christian antiquity situated themselves and others within history. Here I argue that the biblical patriarch Abraham, as received within the late antique Christian text called Pseudo-Hegesippus ( On the Destruction of Jerusalem ), provides a quintessential example of these scribal-rhetorical habits in action. The upshot of this study is that key figures like Abraham were integral tools for doing the things that certain interested ancient writers were trying to do, and as such these figures constitute appropriate, even necessary, objects of research for those seeking to understanding ancient Mediterranean texts, authors, and readers.

Carolingian exegetes Hrabanus Maurus and Paschasius Radbertus encountered a paradox in the sources available to them regarding the prophecy of Dan and its representative Samson, the archetypal Nazirite, “Let Dan be a snake in the way, a serpent in the path, that biteth the horse’s heels that his rider may fall backward. I will look for thy salvation, O Lord” (Gen 49:17–8). While in some sources, the blessing given to Dan in Genesis 49:17 is interpreted as foreshadowing Christ, in others it is seen as reflecting the Antichrist. In this article, I explore how these Carolingian exegetes rose to the challenge of this conflict, by the examining the sources for both approaches available to them. I argue that both exegetes engaged with the sources in a manner that bypassed the paradox, each choosing a different way to do so.

This article explores how readers search for Lot’s wife at the shore of the Dead Sea and how they use the pillar of salt as a destination, as a symbol, and as a lasting memorial. Whether Lot’s wife turned into a pillar of salt that travelers to the Dead Sea can visit today is not relevant for this analysis. Spanning many centuries, this reception history of Lot’s wife argues that readers use her for their own interests to address their own cultural concerns. Three chronological areas are addressed for a broad-sweeping coverage of some trends and traditions about Lot’s wife. While the Hebrew text remains ambivalent about memorializing Lot’s wife, Hellenistic Jewish and early Christian sources reveal a concern to remember Lot’s wife in terms of God’s final judgments. The article then turns to medieval Christian travel narratives and maps that use Lot’s wife to mark the borders of Christendom, with pilgrims seeking her amid Crusades-era concerns. Finally, modern sources are discussed that deal with Lot’s wife in terms of symbolizing sexual trauma, deviance, and danger. Gender theory and queer theory are utilized in the article as secondary ideological lenses through which to engage reception history. What results is a complex picture regarding how people use Lot’s wife to negotiate boundaries, engage biblical myth, and further their own agendas.

Although the Netherlands has become one of the most secular countries in the world, the Bible still plays an important role for many people as a source of cultural and spiritual inspiration. Despite extant empirical research, there remains a pressing gap of knowledge concerning the actual use of the Bible by “ordinary readers.” This makes it more difficult for organizations such as the Dutch Bible Society to engage the public with the distribution of Bible translations and inspirational products. This large-scale mixed-method (qualitative and quantitative) research project aims to provide both practical (or commercial) and academic insights on Bible reading practices and views on the Bible among Dutch “readers” in various ‘ideological’ contexts. One of the most significant results is that biographical factors appear more indicative for how the Bible is approached than more ‘conventional’ denominational factors such as church affiliation.