Band 35, Heft 1

Given the controversies over Mandarin Chinese in terms of Talmy’s bipartite language typology, this paper presents an exhaustive study of Chinese motion verbs collected from two authoritative dictionaries, namely, The Ancient Chinese Dictionary (2nd Edition) and The Contemporary Chinese Dictionary (7th Edition). An analysis of 662 motion verbs in ancient Chinese and 693 motion verbs in modern Chinese indicates that Mandarin Chinese has undergone a typological shift from verb-framed to satellite-framed as far as the lexicalization pattern is concerned. The typological shift seems to have been driven by two forces, the decline of monosyllabic motion verbs and the upsurge of disyllabic motion verbs, which, upon second thoughts, can be boiled down to a single but predominant process of disyllabification in Chinese, whereby two (former) roots that bear a wide range of syntactic relations are lexicalized into a disyllabic word. Thus, we see an intriguing case of how phonology and morphosyntax interact to impact the typological properties of a language.

Talmy divided the world’s languages according to how they express movement. Spanish, a verb-framed language, purportedly constrains the use of motion verbs expressing the manner of movement (such as roll ) to contexts in which no spatial boundary is crossed. Previous research suggests that this constraint sometimes does not apply. We report the first large-scale investigation of the constraint and its modulating factors (movement direction, verb type, entering/exiting, Ground size, the preposition used) across different Spanish-speaking communities. A task with open-ended description of animated videos, a sentence interpretation task, and a rating task found that Spanish and Latin American speakers ( n  = 180 in total) often use manner verbs to describe boundary-crossing situations (especially entering a place), although this is modulated by the preposition following the verb (more with a than en ). Better understanding of this constraint in verb-framed languages has applications in, for instance, L2 acquisition research.

The paper reconciles the sociolinguistic concept of stance and stancetaking and Construction Grammar (CxG); it shows that overlapping allostructions may differ in terms of the stances they convey. Drawing on a corpus study of Wikipedia Talk pages, the paper presents a case study of German discourse management markers such as wo wir gerade dabei sind ‘speaking of which’ or wenn wir schon dabei sind ‘while we’re at it’. By statistically comparing the observed frequencies of the filler items with the expected ones (using Hierarchical Configural Frequency Analysis and Distinctive Collexeme Analysis), I will argue that there are two different collocational types, namely wo wir/ich gerade bei NP sind/bin ‘as we are/I am just at NP’ and wenn wir/du schon bei NP sind/bist ‘as we/you are already at NP’. Both serve as discourse management markers, topic orientation markers in particular, whose purpose it is to shift the topic. They involve the same fixed pattern, combining the same categorical slots. However, they diverge in collocational preferences. I will argue that these collocational preferences are indicative of the stances the allostructions conventionally convey: While the allostruction wo wir/ich gerade PP sind/bin seems to be neutral in terms of stance (face-less stance), wenn wir/du schon PP sind/bist is often used to express negative evaluation of a previous utterance made by an interlocutor, thus marking disalignment. The expression of disalignment seems to be related to the construction’s propensity to reference utterances made by an interlocutor.

This paper is a systematic investigation of motion expressions in programmatic music description. To address issues with defining the Source MOTION and the Target MUSIC, we utilize Gestalt models (Figure-Ground and Source-Path-Goal) while also critically examining the ontological complexity of the Target MUSIC. We also investigate music motion descriptions considering the role of the describer’s perspective and communicative goals. As previous research has demonstrated, an attentional Goal-bias is common in physical motion description, yet this has been found also to lessen due to audience accommodation effects. We investigate whether this also occurs in music description. Using cognitive linguistic frameworks, we conducted an analysis of 21 English speakers’ written descriptions of dynamic orchestral excerpts. All participants gave a description of one excerpt reporting their own personal experiences and the other excerpt reporting the events of the excerpt for a fictional future participant. We find that addressee accommodation shapes the choice of the ontological types of Figures used from being more subjective and creative in describing music for oneself versus being more objective in describing music for others. However, our investigation does not find sufficient evidence for a Goal-bias in music like there is in physical motion event descriptions.

There is ample research on how metaphors of life vary both cross-culturally and within culture, with age emerging as possibly the most significant variable with regard to the latter dimension. However, no representative research has yet been carried on whether variation can also occur across time. Our paper attempts to fill this gap in the literature by exploring whether a major crisis, such as the COVID-19 pandemic, can induce variation in how life is metaphorically conceptualized throughout society. By drawing on the results of a nationwide, representative survey on the metaphorical preferences for life among Hungarian adults carried out during the second wave of the COVID-19 pandemic, we hypothesized that the pandemic would induce a revolutionary change (in the sense of the change being swift, as opposed to gradual) in how Hungarian adults metaphorically conceptualize life , as compared to the metaphorical preferences of the pre-COVID-19 era. We expected this variation to manifest itself in the emergence of novel metaphorical source domains and a realignment in metaphorical preferences. Our results, however, indicate that novel conceptualizations emerged only as one-off metaphors; Hungarians mostly rely on a stock collection of life metaphors even in times of crises, with changes happening mostly in the form of shifts in metaphorical preferences. Our study also found that the choice of preference of the source domains showed less alterations among older adults – implying that the older we get, the more resistant to change our metaphorical conceptualizations become, even under extreme conditions such as COVID-19.