Amsterdam University Press
How Film Histories Were Made
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Edited by:
Malte Hagener
and Yvonne Zimmermann
Author / Editor information
Malte Hagener is Professor of Media and Film Studies at Philipps-Universität Marburg, Germany. His publications include (with Thomas Elsaesser) Film Theory. An Introduction through the Senses (Routledge 2010, 2nd revised edition 2015). He is the co-editor of Handbuch Filmanalyse (Wiesbaden: Springer 2020; with Volker Pantenburg) and the editor of The Emergence of Film Culture. Knowledge Production, Institution Building and the Fate of the Avant-garde in Europe, 1919-1945. London: Berghahn 2014.Zimmermann Yvonne :
Yvonne Zimmermann is Professor of Media Studies at Philipps-University Marburg. Recent books include the co-authored Advertising and the Transformation of Screen Cultures>/cite> (AUP 2021) and the co-edited Films That Work Harder: The Global Circulations of Industrial Cinema (AUP 2023). She is the editor of a special issue on Asta Nielsen, the film star system and the introduction of the long feature film in Early Popular Visual Culture (2021).
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Frontmatter
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Table of Contents
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List of Illustrations
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Introduction: Unpacking Film History’s Own Histories
13 - I Models of Film Historiography: Philosophy and Time
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1 The Aporias of Cinema History
45 -
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2 What Next? The Historical Time Theory of Film History
59 -
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3 Relativist Perspectivism
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4 The Discovery of Early Cinema
119 - II Film History in the Making: Processes and Agendas
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5 Consistency, Explosion, and the Writing of Film History
133 -
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6 Defeats that Were Almost Victories
163 -
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7 A Film-maker’s Film Histories
189 -
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8 Hans Richter and the “Struggle for the Film History”
209 - III Revisiting Film History: Institutions, Knowledge, and Circulation
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9 Historicizing the Gulf Moving Image Archives
235 -
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10 British Cultural Studies, Film History, and Forgotten Horizons of Cultural Analysis
263 -
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11 The Rise and Fall of Secular Realism
283 -
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12 What Was a Film Society?
315 - IV Rewriting Film History with Images: Audiovisual Forms of Historiography
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13 A Televisual Cinematheque Film Histories on West German Television
347 -
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14 The History of Film on Film
371 -
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15 Audiovisual Film Histories for the Digital Age
389 - V Into the Digital: New Approaches and Revisions
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16 Future Pasts within the Dynamics of the Digital Present Digitized Films and the Clusters of Media Historiographic Experience
417 -
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17 Tipping the Scales of Film History
445 -
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18 Representing the Unknown
467 -
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Select Bibliography
495 -
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Index
519