Rewind, Play, Fast Forward
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Edited by:
Henry Keazor
About this book
Due to shifts in the contexts of the production and presentation of the music video, more and more people start to talk about a possible end of this genre. At the same time disciplines such as visual-, film- and media-studies, art- and music-history begin to realize that despite the fact that the music video obviously has come of age, they still lack a well defined and matching methodical approach for analyzing and discussing videoclips.
For the first time this volume brings together different disciplines as well as journalists, museum curators and gallery owners in order to take a discussion of the past and present of the music video as an opportunity to reflect upon suited methodological approaches to this genre and to allow a glimpse into its future.
Author / Editor information
Henry Keazor lehrt Neuere und Neueste Kunstgeschichte am Institut für Europäische Kunstgeschichte der Universität Heidelberg.
--- Contributor: Thorsten WübbenaThorsten Wübbena leitet den Bereich »Digitale Historische Forschung | DH Lab« am Leibniz-Institut für Europäische Geschichte (IEG), Mainz. Seine Forschungsinteressen umfassen die Digitale Methodik in den Geistes- und Kulturwissenschaften, Forschungsinfrastrukturen im Bereich des kulturellen Erbes sowie Prozess- und Projektmanagement in den Digital Humanities.
Reviews
»Da sich die Autoren und Autorinnen [...] aus unterschiedlicher Perspektive der Thematik nähern, entsteht ein eindrucksvolles Panorama der in Veränderung begriffenen Landschaft des Musikvideos.«
Supplementary Materials
Topics
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The Past, Present and Future of the Music Video: Introduction Henry Keazor and Thorsten Wübbena Requires Authentication Unlicensed Licensed |
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Rewind: The History, Collecting, and Reception of the Music Video
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Guns N’ Roses and the Music Video Folly Saul Austerlitz Requires Authentication Unlicensed Licensed |
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Thomas Schmitt Requires Authentication Unlicensed Licensed |
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Barbara London Requires Authentication Unlicensed Licensed |
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A Brief History of the Italian Music Video Bruno Di Marino Requires Authentication Unlicensed Licensed |
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Play: The Methodology of Analysis and Interpretation
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Axel Schmidt and Klaus Neumann-Braun Requires Authentication Unlicensed Licensed |
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The Contribution of Michel Gondry Giulia Gabrielli Requires Authentication Unlicensed Licensed |
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Two Versions of Rammstein’s Du riechst so gut Matthias Weiss Requires Authentication Unlicensed Licensed |
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Paolo Peverini Requires Authentication Unlicensed Licensed |
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Movement and Mediality in Music Video Laura Frahm Requires Authentication Unlicensed Licensed |
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Toward a Multiperspectival Pop Cultural Study of Music Videos Christoph Jacke Requires Authentication Unlicensed Licensed |
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Fast Forward: The Future of the Music Video
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On the Relationship between Visual Music and Music Video Cornelia Lund and Holger Lund Requires Authentication Unlicensed Licensed |
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Contemporary Connections between Art and Pop Antje Krause-Wahl Requires Authentication Unlicensed Licensed |
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Death and Resurrection of Music Videos in the YouTube-Age Gianni Sibilla Requires Authentication Unlicensed Licensed |
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Case Study – Beyoncé’s and Lady Gaga’s Video Phone Carol Vernallis Requires Authentication Unlicensed Licensed |
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