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An Analysis of the Relation between Music and Image
The Contribution of Michel Gondry
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Giulia Gabrielli
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Chapters in this book
- Frontmatter 1
- Contents 5
- Rewind – Play – Fast Forward 7
-
Rewind: The History, Collecting, and Reception of the Music Video
- “Don’t You Cry Tonight” 35
- The Genealogy of the Clip Culture 41
- Looking at Music 59
- “Pride and Prejudice” 67
-
Play: The Methodology of Analysis and Interpretation
- Concerning the Transition of the Reception of the Music Video due to a Change in the Politics of Distribution of the Music Videoand the Music(-TV-)Market 77
- An Analysis of the Relation between Music and Image 89
- “Sense and Sensibility” 111
- The Aesthetics of Music Videos: An Open Debate 135
- Liquid Cosmos 155
- Who Cares about the Music in Music Videos? 179
-
Fast Forward: The Future of the Music Video
- Get the Cut 197
- “Why Artists Make Clips” 207
- “It’s the End of Music Videos as we Know them (but we Feel Fine)” 225
- Music Video and YouTube: New Aesthetics and Generic Transformations 233
- About the Editors 271
- About the Authors 271
- Index 277
Chapters in this book
- Frontmatter 1
- Contents 5
- Rewind – Play – Fast Forward 7
-
Rewind: The History, Collecting, and Reception of the Music Video
- “Don’t You Cry Tonight” 35
- The Genealogy of the Clip Culture 41
- Looking at Music 59
- “Pride and Prejudice” 67
-
Play: The Methodology of Analysis and Interpretation
- Concerning the Transition of the Reception of the Music Video due to a Change in the Politics of Distribution of the Music Videoand the Music(-TV-)Market 77
- An Analysis of the Relation between Music and Image 89
- “Sense and Sensibility” 111
- The Aesthetics of Music Videos: An Open Debate 135
- Liquid Cosmos 155
- Who Cares about the Music in Music Videos? 179
-
Fast Forward: The Future of the Music Video
- Get the Cut 197
- “Why Artists Make Clips” 207
- “It’s the End of Music Videos as we Know them (but we Feel Fine)” 225
- Music Video and YouTube: New Aesthetics and Generic Transformations 233
- About the Editors 271
- About the Authors 271
- Index 277