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2. A Semiotic of Ethnographic Film
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SolHG Worth
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Kapitel in diesem Buch
- Frontmatter I
- Contents VI
- Preface IX
- Introduction: Sol Worth and the Study of Visual Communication 1
- 1. The Development of a Semiotic of Film 36
- 2. A Semiotic of Ethnographic Film 74
- 3. Toward an Anthropological Politics of Symbolic Forms 85
- 4. The Uses of Film in Education and Communication 108
- 5. Symbolic Strategies 134
- 6. Seeing Metaphor as Caricature 148
- 7. Pictures Can’t Say Ain’t 162
- 8. Margaret Mead and the Shift from “Visual Anthropology” to the “Anthropology of Visual Communication” 185
- Appendix: An American Community's Socialization to Pictures: An Ethnography of Visual Communication (A Preproposal) (With Jay Ruby) 200
- Bibliography 204
- Index 210
Kapitel in diesem Buch
- Frontmatter I
- Contents VI
- Preface IX
- Introduction: Sol Worth and the Study of Visual Communication 1
- 1. The Development of a Semiotic of Film 36
- 2. A Semiotic of Ethnographic Film 74
- 3. Toward an Anthropological Politics of Symbolic Forms 85
- 4. The Uses of Film in Education and Communication 108
- 5. Symbolic Strategies 134
- 6. Seeing Metaphor as Caricature 148
- 7. Pictures Can’t Say Ain’t 162
- 8. Margaret Mead and the Shift from “Visual Anthropology” to the “Anthropology of Visual Communication” 185
- Appendix: An American Community's Socialization to Pictures: An Ethnography of Visual Communication (A Preproposal) (With Jay Ruby) 200
- Bibliography 204
- Index 210