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Introduction
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Kapitel in diesem Buch
- Frontmatter i
- Contents ix
- List of Illustrations xi
- List of Abbreviations xiii
- Introduction 1
- 1. Lines on the Lake District: Poetry and the Print Culture of Tourism 23
- 2. “I Trace His Paths upon the Maps”: Cartographic Inscription in The Prelude 54
- 3. “Points Have We All of Us Within Our Souls, / Where All Stand Single”: Poetic Autobiography and National Cartography 81
- INTERCHAPTER. Native Accents, British Ground: Changing Landscape in the Visual Display of Speech 129
- 4. Eighteenth-Century Emphasis and Wordsworthian Ontopoetics 145
- 5. “—You Are Mov’d!”: Lyrical Ballads and the Printing of Local Feeling 180
- 6. Measuring Distance, Pointing Address: The Textual Geography of the “Poem to Coleridge” and “To W. Wordsworth” 226
- 7. Thelwall’s Therapoetics: Scanning The Excursion 260
- Notes 305
- Index 343
- Acknowledgments 353
Kapitel in diesem Buch
- Frontmatter i
- Contents ix
- List of Illustrations xi
- List of Abbreviations xiii
- Introduction 1
- 1. Lines on the Lake District: Poetry and the Print Culture of Tourism 23
- 2. “I Trace His Paths upon the Maps”: Cartographic Inscription in The Prelude 54
- 3. “Points Have We All of Us Within Our Souls, / Where All Stand Single”: Poetic Autobiography and National Cartography 81
- INTERCHAPTER. Native Accents, British Ground: Changing Landscape in the Visual Display of Speech 129
- 4. Eighteenth-Century Emphasis and Wordsworthian Ontopoetics 145
- 5. “—You Are Mov’d!”: Lyrical Ballads and the Printing of Local Feeling 180
- 6. Measuring Distance, Pointing Address: The Textual Geography of the “Poem to Coleridge” and “To W. Wordsworth” 226
- 7. Thelwall’s Therapoetics: Scanning The Excursion 260
- Notes 305
- Index 343
- Acknowledgments 353