Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Illustrations vii
4. Introduction 1
5. Chapter 1. ‘‘Pharaoh’s Army Got Drownded’’: Some Reflections on Jewish and Roman Genealogies in Early Christian Art 10
6. Chapter 2. Unfeigned Witness: Jews, Matter, and Vision in Twelfth-Century Christian Art 45
7. Chapter 3. Shaded with Dust: Jewish Eyes on Christian Art 74
8. Chapter 4. Iudeus sacer: Life, Law, and Identity in the ‘‘State of Exception’’ Called ‘‘Marian Miracle’’ 115
9. Chapter 5. Abraham Circumcises Himself: A Scene at the Endgame of Jewish Utility to Christian Art 143
10. Chapter 6. Frau Venus, the Eucharist, and the Jews of Landshut 183
11. Chapter 7. Jewish Carnality, Christian Guilt, and Eucharistic Peril in the Rotterdam-Berlin Altarpiece of the Holy Sacrament 203
12. Chapter 8. The Ghetto and the Gaze in Early Modern Venice 233
13. Chapter 9. Through a Glass Darkly: Paths to Salvation in Spanish Painting at the Outset of the Inquisition 263
14. Chapter 10. Renaissance Naturalism and the Jewish Bible: Ferrara, Brescia, Bergamo, 1520–1540 291
15. Chapter 11. Poussin’s Useless Treasures 328
16. Chapter 12. Eugène Delacroix’s Jewish Wedding and the Medium of Painting 359
17. Chapter 13. The Judaism of Christian Art 387
18. Contributors 429
19. Index 431
20. Acknowledgments 443