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Chapter three. The Voodoo Economics of Space: From Gothic to Roman
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Abbreviations ix
- Illustrations xi
- Introduction 1
-
PART I Out of Sorts
- Chapter one. On the Continuity of Continuity: Print Culture Mythology and the Type of the Gutenberg Bible (B42) 17
- Chapter two. Gottfried Zedler and the Twentieth- Century History of DK Type 32
- Chapter three. The Voodoo Economics of Space: From Gothic to Roman 57
- Chapter four. The Typographical Gothic: A Cautionary Note on the Title Page to Percy’s Reliques of Ancient English Poetry 72
- Interlude: At the Typographical Altar: Interlude for Randall McLeod 93
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PART II Images and Texts
- Chapter five. Fists and Filiations in Early Chaucer Folios, 1532–1602 105
- Chapter six. Editorial and Typographical Diplomacy in the Piers Plowman Archive 118
- Chapter seven. The Representation of Representation: Versions of Linear Perspective 141
- Chapter eight. Typographical Antiquity in Thomas Frognall Dibdin’s Typographical Antiquities 164
- Conclusion Print Culture Redivivus 191
- Notes 199
- Principal works cited 229
- Index 239
- Acknowledgments 243
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Abbreviations ix
- Illustrations xi
- Introduction 1
-
PART I Out of Sorts
- Chapter one. On the Continuity of Continuity: Print Culture Mythology and the Type of the Gutenberg Bible (B42) 17
- Chapter two. Gottfried Zedler and the Twentieth- Century History of DK Type 32
- Chapter three. The Voodoo Economics of Space: From Gothic to Roman 57
- Chapter four. The Typographical Gothic: A Cautionary Note on the Title Page to Percy’s Reliques of Ancient English Poetry 72
- Interlude: At the Typographical Altar: Interlude for Randall McLeod 93
-
PART II Images and Texts
- Chapter five. Fists and Filiations in Early Chaucer Folios, 1532–1602 105
- Chapter six. Editorial and Typographical Diplomacy in the Piers Plowman Archive 118
- Chapter seven. The Representation of Representation: Versions of Linear Perspective 141
- Chapter eight. Typographical Antiquity in Thomas Frognall Dibdin’s Typographical Antiquities 164
- Conclusion Print Culture Redivivus 191
- Notes 199
- Principal works cited 229
- Index 239
- Acknowledgments 243