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10 The poetics of succession, 1587–1605

The Stuart claim
  • Richard A. McCabe

Abstract

This chapter analyses the ways in which James VI and his supporters used his authorial persona to advance his claims to the English throne at a time when open discussion of the succession was forbidden in England. Through indirection and oblique allusion, one form of ‘authority’ was made to insinuate another. To promote the son of Mary Queen of Scots as her executioner’s legitimate successor was no small task, but progressive appropriation of the Arthurian mythology central to Tudor iconography helped to present the Stuarts as their dynastic heirs in supposed accordance with a providential plan to restore the (imagined) unity of ancient ‘Britain’. Insofar as this notion of union became central to James’ self-presentation, the poetic fictions that promoted his success ultimately came to define his failure.

Abstract

This chapter analyses the ways in which James VI and his supporters used his authorial persona to advance his claims to the English throne at a time when open discussion of the succession was forbidden in England. Through indirection and oblique allusion, one form of ‘authority’ was made to insinuate another. To promote the son of Mary Queen of Scots as her executioner’s legitimate successor was no small task, but progressive appropriation of the Arthurian mythology central to Tudor iconography helped to present the Stuarts as their dynastic heirs in supposed accordance with a providential plan to restore the (imagined) unity of ancient ‘Britain’. Insofar as this notion of union became central to James’ self-presentation, the poetic fictions that promoted his success ultimately came to define his failure.

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