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Conclusion

  • Ben Haworth
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Shakespeare's liminal spaces
Ein Kapitel aus dem Buch Shakespeare's liminal spaces

Abstract

The Conclusion summarises how the book has worked to define the indefinable, to explore Shakespeare’s stable interest in unstable spaces that challenge and subvert conventional power structures. In so doing, the study has revealed ways in which the tides of new critical movements have often returned the same flotsam to the same shores. Returning to the work of the new historicists and cultural materialists is not an exercise in picking at the already clean bones of Shakespeare’s plays, but rather an exercise in fleshing out these bones by considering how liminality had the potential to complicate previously held ideas of how the playwright engaged with power. In doing so, the book has sought to do more than simply dust off or reignite theoretical approaches to Shakespeare that went out of circulation or fashion shortly after their inception in the 1980s.

Abstract

The Conclusion summarises how the book has worked to define the indefinable, to explore Shakespeare’s stable interest in unstable spaces that challenge and subvert conventional power structures. In so doing, the study has revealed ways in which the tides of new critical movements have often returned the same flotsam to the same shores. Returning to the work of the new historicists and cultural materialists is not an exercise in picking at the already clean bones of Shakespeare’s plays, but rather an exercise in fleshing out these bones by considering how liminality had the potential to complicate previously held ideas of how the playwright engaged with power. In doing so, the book has sought to do more than simply dust off or reignite theoretical approaches to Shakespeare that went out of circulation or fashion shortly after their inception in the 1980s.

Heruntergeladen am 6.11.2025 von https://www.degruyterbrill.com/document/doi/10.7765/9781526165930.00011/html
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