Kapitel
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Notes on contributors
Kapitel in diesem Buch
- Front Matter i
- Contents v
- List of illustrations vii
- Notes on contributors viii
- A foreword xii
- Introduction 1
- I Incubation 19
- 1 DNA in the classroom 21
- 2 Suspended in time and place 39
- 3 ‘I’ll teach you a thing or two’ 55
- II Antibodies 71
- 4 ‘Are you sick, yet? / Are you disgusted, yet?’ 73
- 5 Utopia 90
- 6 Beautiful doom 105
- 7 Subjectivity in Dennis Kelly’s early drama 118
- III False positives 135
- 8 ‘I just want it to be your words’ 137
- 9 ‘What is the difference between made up and real?’ 152
- 10 ‘What else isn’t true?’, or, Dennis Kelly’s expressionism 170
- 11 Atopia 184
- IV Variants 201
- 12 ‘Now look, are you going to tell me a story or not?’ 203
- 13 Dennis Kelly’s The Gods Weep at the Royal Shakespeare Company 217
- 14 Performing stories, engaging audiences 233
- Conclusion 251
- Index 264
- Plates 267
Kapitel in diesem Buch
- Front Matter i
- Contents v
- List of illustrations vii
- Notes on contributors viii
- A foreword xii
- Introduction 1
- I Incubation 19
- 1 DNA in the classroom 21
- 2 Suspended in time and place 39
- 3 ‘I’ll teach you a thing or two’ 55
- II Antibodies 71
- 4 ‘Are you sick, yet? / Are you disgusted, yet?’ 73
- 5 Utopia 90
- 6 Beautiful doom 105
- 7 Subjectivity in Dennis Kelly’s early drama 118
- III False positives 135
- 8 ‘I just want it to be your words’ 137
- 9 ‘What is the difference between made up and real?’ 152
- 10 ‘What else isn’t true?’, or, Dennis Kelly’s expressionism 170
- 11 Atopia 184
- IV Variants 201
- 12 ‘Now look, are you going to tell me a story or not?’ 203
- 13 Dennis Kelly’s The Gods Weep at the Royal Shakespeare Company 217
- 14 Performing stories, engaging audiences 233
- Conclusion 251
- Index 264
- Plates 267